Born: 1963 in
Lives and works in
Solo Exhibitions:
2005 The County,
2003
The Big Blue Room,
Tomorrowland, Soil Gallery,
2002 Green
Fish,
2001 L11,
Joseph Park Studio,
Group Exhibitions:
2006 Contrasting
Objectives: 15 Pacific Northwest Photographers,
Of History and Art,
2005 The Artist’s Touch, the Sleight of Hand, LINCART,
2004 Pseudononymous, 1506 Projects,
2003 Ulterior
Motives: Current Northwest Abstraction,
At
the Edge of Science, Sun Valley
Center for the Arts,
Parallax
View, Western Front Gallery,
Collections, Bumbershoot,
2002
Multiplex,
Bumbershoot,
Group Exhibition, Howard House,
Shoe,
Khulman’s,
Lava
2002, Noodleworks,
Artist Trust Invitational
Exhibition, Bank of America Gallery,
Soil
Does Houston, Houston, Gallery,
Dylan
Mosley, and Claude Zervas, King County Arts Commission Gallery,
deBASHery, Henry Arts Gallery,
Three,
Privacy
show, Soil,
2001 Noodleworks
Invitational, Noodleworks,
Selected Public Collections:
Tacoma
Art Museum, Tacoma, WA
Curatorial:
2002 Lava 2002, co-curator,
Bibliography:
Dimetre, Jim, Art Dish, August 10, 2005, Online
visual art forum, <http://www.artdish.com/blog/default.asp>
Clemans, Gayle, “Evoking the natural world,”
Engelson, Andrew, “Lighting the Landscape,”
Regina Hackett, “Zervas Does Exploratory Surgery on
Technology,” Seattle Post-Intelligencer, August 8, 2003, p.17.
Matthew Kangas, “Two artists, two visions from the
ordinary,” The Seattle Times,
August
1, 2003, p. 47H.
Emily Hall, “Aleph to Zervas,” The Stranger,
Vol. 12, No. 31, Feb. 15, 2003
Webb, Dan, “Lava 2002,” Thread Publications,
pages 162-165.
Emily Hall, “Pay Attention Please,” The Stranger,
Vol. 11 No. 37, May 30 to June 5,
2002.
p. 30.
Anonymous, “Hypermedia,” 3rd Bed,
Vol. 5, 2002, Front Cover
Elizabeth Brown and Lisa Corrin, “The Mountain is
Out,” Modern Painters, Autumn
2002,
pp. 47-48.
Fahey, Anna, “I
See You,”
Hall, Emily, “Bio:Art”, The Stranger, Vol. 10,
No. 23, February 15, 2001