Claire Cowie
Yunhee Min

Scott Foldesi
Mark Mumford
Roy McMakin
Tania Kitchell
Richard Rezac

Carlos Vega
Eric Elliott
Squeak Carnwath
Maki Tamura

Margot Quan Knight
Gary Hill
Message In A Bottle
Adam Sorensen
Claire Cowie
Bing Wright
Roy McMakin
Katrina Moorhead
Claudette Schreuders
Marcelino Goncalves
room X room
Rashid Johnson
Scott Foldesi
Shaun O'Dell
Claude Zervas
Amir Zaki
Glenn Rudolph
Angela Fraleigh
Jeffry Mitchell
Steve Davis
Mary Ann Peters
Mark Mumford
Roy McMakin
Geoffrey Chadsey
Patrick Holderfield
Junctions
Todd Simeone
Claire Cowie
Laura Letinsky
Keith Tilford
Mary Ann Peters
Jeffry Mitchell
Richard Rezac
Stephanie Syjuco
Claude Zervas
Squeak Carnwath
Marcelino Gonçalves
Peter Schuyff
Tom Baldwin
Tania Kitchell
Jeffry Mitchell

Shaun O'Dell

Mark Mumford

Efrain Almeida

Keith Tilford
Glenn Rudolph
Claire Cowie
Patrick Holderfield

Ramona Trent
Roy McMakin
Yunhee Min

Claude Zervas

Casey Keeler

Henry Turmon
Lisa Liedgren
Laurie Reid
Amir Zaki
Adam Ross
Richard Rezac
Geoffrey Chadsey
Claire Cowie
Michelle Fierro


Richard Rezac
September 4th- September 27, 2008


 

Richard Rezac , Untitled (07-10) , 2007, Painted cherry and aluminum, 20" x 32 1/2" x 1”

 

 


James Harris Gallery is pleased to present its third solo exhibition by Richard Rezac. Using a vocabulary related to geometric abstraction, Rezac creates subtle compositions that are imbued with dynamic tension. He sensitively juxtaposes both materials, such as painted wood with aluminum or cast bronze, and color, making his practice a reductive one that brings together a minimal number of elements within any one work.

Untitled (07-10), represented in the show along with a preparatory drawing, provides insight into the artist’s working process—one that is both deeply analytical and intuitive. In this work, four horizontal bands are positioned in an even step formation. Rezac’s choice of color, mixing two similar hues, and meticulous patterning of diamond-shaped holes, used as contradistinction, makes for a slowed rhythm as one considers the piece. While still sculptural, it is significant that Untitled (07-10) and other recent works are attached especially close and parallel to the wall. Departing from the conventions of relief sculpture, which relies on projected form and shadow for effect, these works hover ambiguously between painting and sculpture.

Richard Rezac’s sculpture has been shown nationally and internationally, most notably in a 2006 survey of his work at the Portland Art Museum. Other venues include Yale University Art Gallery, New Haven, CT; the Museum of Contemporary Art, Chicago, IL; Artgarden, Amsterdam, The Netherlands; and Corcoran Gallery of Art, Washington D.C. In 2004, Rezac received a Joan Mitchell Foundation Grant and, in 2006, the coveted Rome Prize from the American Academy in Rome. He lives and works in Chicago.

 
 
   
   

 

 
 
Untitled (07-03) , 2007
Painted wood and aluminum
14 " x 28" x 4 1/4”
 
 
Untitled (06-01), 2006
Painted wood, nickel-plated and painted cast bronze, aluminum,
37 1/2" x 37 1/2" 1 1/2”
 
 
Study for Untitled (07-10) , 2007
Pencil on paper
31 1/2" x 29"