John Bankston
Amy Blakemore

Noah Davis

Txt
Davis and Langlois
Tanya Batura
Margot Quan Knight
Mirror Mirror
Alexander Kroll
Jason Hirata
Amir Zaki
Ron Nagle
Akio Takamori
Danny Lyon
Mary Ann Peters
Luis Tomasello
Eric Elliott
Andrew Witkin
Jeffry Mitchell
Steve Davis
Introductions: David Huffman
Adam Sorensen
Francois Van Reenen
Beth Campbell
Claude Zervas
Stephanie Syjuco
Todd Simeone
Jason Teraoka
Vik Muniz

Scott Foldesi
Mark Mumford
Claire Cowie
Yunhee Min
Roy McMakin
Tania Kitchell
Richard Rezac
Carlos Vega
Eric Elliott
Squeak Carnwath
Maki Tamura

Margot Quan Knight
Gary Hill
Message In A Bottle
Adam Sorensen
Claire Cowie
Bing Wright
Roy McMakin
Katrina Moorhead
Claudette Schreuders
Marcelino Goncalves
room X room
Rashid Johnson
Scott Foldesi
Shaun O'Dell
Claude Zervas
Amir Zaki
Glenn Rudolph
Angela Fraleigh
Jeffry Mitchell
Steve Davis
Mary Ann Peters
Mark Mumford
Roy McMakin
Geoffrey Chadsey
Patrick Holderfield
Junctions
Todd Simeone
Claire Cowie
Laura Letinsky
Keith Tilford
Mary Ann Peters
Jeffry Mitchell
Richard Rezac
Stephanie Syjuco
Claude Zervas
Squeak Carnwath
Marcelino Gonçalves
Peter Schuyff
Tom Baldwin
Tania Kitchell
Jeffry Mitchell

Shaun O'Dell

Mark Mumford

Efrain Almeida

Keith Tilford
Glenn Rudolph
Claire Cowie
Patrick Holderfield

Ramona Trent
Roy McMakin
Yunhee Min

Claude Zervas

Casey Keeler

Henry Turmon
Lisa Liedgren
Laurie Reid
Amir Zaki
Adam Ross
Richard Rezac
Geoffrey Chadsey
Claire Cowie
Michelle Fierro



Amy Blakemore
Photographs 2009-2010
Sept 2 to Oct 9, 2010


 

Amy Blakemore: Stephanie, 2010, Chromogenic Print, Ed. of 10, 19" x 19"

James Harris Gallery is pleased to present an exhibition of new photographs by Houston artist Amy Blakemore. Using a Diana camera for more than two decades, Blakemore captures images of friends, family, and landscapes that belie the fleeting nature of time, place, and relationships.

Blakemore’s work muses on candid moments  ̶  a woman on a solitary walk, a man carrying a young boy, or a teenager caught in an awkward pose  ̶  and the mood is ponderous, intimate, and sometimes slightly voyeuristic. Despite being populated by strangers, Blakemore’s photographs possess a strong sense of familiarity. We recognize the gestures and the situations, the worry and the beauty seen by her lens. There is a strong emotional content, in what appears so commonplace. Originally rooted in documentary traditions, Blakemore has compared the activity of photography to the process of gathering broken bits and lost objects discovered serendipitously during long walks.

This exhibit, with photographs from 2009 and 2010, compliments Ms. Blakemore's concurrent exhibition at the Seattle Art Museum, Amy Blakemore: Photographs 1988–2008 (September 4, 2010-February 13, 2011),which offers a twenty-year survey of Blakemore’s work, ranging from her black-and-white street photographs of the late 1980s to her recent color portraits and landscapes.

Born in Tulsa, Oklahoma, Blakemore received an MFA in Photography from the University of Texas. Her work is included in collection of the Museum of Fine Arts, Houston. Blakemore participated in the Pingyao International Festival for Photography in Pangyao, P.R. China (2005) and the Whitney Biennial “Day for Night” (2006).  In 2007, Blakemore's work was included in “Silver”, Houston Center for Photography's 25th Anniversary exhibition. This is Amy Blakemore's first exhibition with the gallery.

 

 

 

 

 

 

 

 


 

 

 

 

 

 

Amy Blakemore
Boy in Woods, 2010
Chromogenic Print Ed. of 10
19" x 19"

Amy Blakemore
Debby, 2010
Chromogenic Print Ed. of 10
19" x 19"

Amy Blakemore
Mom, 2009
Chromogenic Print Ed. of 10
19" x 19"


Amy Blakemore
Raleigh, 2010
Chromogenic Print Ed. of 10
19" x 19"

 

Amy Blakemore
Willem, 2010
Chromogenic Print Ed. of 10
19" x 19"



 

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