Claire Cowie
Yunhee Min

Scott Foldesi
Mark Mumford
Roy McMakin
Tania Kitchell
Richard Rezac

Carlos Vega
Eric Elliott
Squeak Carnwath
Maki Tamura

Margot Quan Knight
Gary Hill
Message In A Bottle
Adam Sorensen
Claire Cowie
Bing Wright
Roy McMakin
Katrina Moorhead
Claudette Schreuders
Marcelino Goncalves
room X room
Rashid Johnson
Scott Foldesi
Shaun O'Dell
Claude Zervas
Amir Zaki
Glenn Rudolph
Angela Fraleigh
Jeffry Mitchell
Steve Davis
Mary Ann Peters
Mark Mumford
Roy McMakin
Geoffrey Chadsey
Patrick Holderfield
Junctions
Todd Simeone
Claire Cowie
Laura Letinsky
Keith Tilford
Mary Ann Peters
Jeffry Mitchell
Richard Rezac
Stephanie Syjuco
Claude Zervas
Squeak Carnwath
Marcelino Gonçalves
Peter Schuyff
Tom Baldwin
Tania Kitchell
Jeffry Mitchell

Shaun O'Dell

Mark Mumford

Efrain Almeida

Keith Tilford
Glenn Rudolph
Claire Cowie
Patrick Holderfield

Ramona Trent
Roy McMakin
Yunhee Min

Claude Zervas

Casey Keeler

Henry Turmon
Lisa Liedgren
Laurie Reid
Amir Zaki
Adam Ross
Richard Rezac
Geoffrey Chadsey
Claire Cowie
Michelle Fierro



CLAIRE COWIE

November 13 - December 20, 2008

 

12 Views (Man on Mule), 2008, Watercolor, sumi color and pencil on paper, 22 x 30 inches


James Harris Gallery is pleased to present 12 Views, an exhibition featuring new works on paper by Claire Cowie. Cowie’s work has always been distinguished by its exploration of the familiar and the strange. The artist continues to develop this tension in her most recent work, in which she creates a vast panorama of characters and scenes across a suite of individual landscapes.

In 12 Views, Cowie takes inspiration from the prolific work of Hokusai, one of the masters of nineteenth-century Japanese painting and printmaking. In his landscapes, Hokusai challenged naturalism with abbreviation and exaggeration, creating images that were as true to the artist’s imagination as they were to nature. Cowie’s landscapes similarly describe a world invented in the artist’s mind, representing a surreal hybridization of place and subject.

Each of Cowie’s new works shares a consistent horizon line and other compositional elements, allowing for a layering of meanings that stretch beyond any individual scene. Here the artist returns to her signature subjects, including the meerkat and other familiar creatures, but she heightens her experimentation with both color and space. Creating tension through the use of unnatural hues and through a deliberate lack of defined space, Cowie plays with the balance between the comforting and the disconcerting and creates landscapes that are as psychological as they are physical.

Since her 2003 residency and exhibition at the Henry Art Gallery, Cowie’s work has been featured at Tacoma Art Museum, Portland Art Museum, the University of Texas at Dallas and, most recently, Western Bridge. Reviews of her work have appeared in Artforum, Art in America, Modern Painters, and the Los Angeles Times.

 

12 Views (Floating Head), 2008
Watercolor, sumi color
and pencil on paper
22 x 30 inches

12 Views (Staircase), 2008
Watercolor, sumi color
and pencil on paper
22 x 30 inches

12 Views (Three Meerkats), 2008
Watercolor, sumi color
and pencil on paper
22 x 30 inches

12 Views (Man on Mule), 2008
Watercolor, sumi color
and pencil on paper
22 x 30 inches


 
12 Views (Four Puppies), 2008
Watercolor, sumi color
and pencil on paper
22 x 30 inches

12 Views (Pink Tree), 2008
Watercolor, sumi color
and pencil on paper
22 x 30 inches
12 Views (Blue Tree), 2008
Watercolor, sumi color
and pencil on paper
22 x 30 inches

12 Views (Rainbow), 2008
Watercolor, sumi color
and pencil on paper
22 x 30 inches



12 Views (Village), 2008
Watercolor, sumi color
and pencil on paper
22 x 30 inches
12 Views (Glacier), 2008
Watercolor, sumi color
and pencil on paper
22 x 30 inches
12 Views (Bonsai), 2008
Watercolor, sumi color
and pencil on paper
22 x 30 inches

12 Views (Bridge), 2008
Watercolor, sumi color
and pencil on paper
22 x 30 inches