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John Bankston
Amy Blakemore

Davis and Langlois
Tanya Batura
Margot Quan Knight
Mirror Mirror
Alexander Kroll
Jason Hirata
Amir Zaki
Ron Nagle
Akio Takamori
Danny Lyon
Mary Ann Peters
Luis Tomasello
Eric Elliott
Andrew Witkin
Jeffry Mitchell
Steve Davis
Introductions: David Huffman
Adam Sorensen
Francois Van Reenen
Beth Campbell
Claude Zervas
Stephanie Syjuco
Todd Simeone
Jason Teraoka
Vik Muniz

Scott Foldesi
Mark Mumford
Claire Cowie
Yunhee Min
Roy McMakin
Tania Kitchell
Richard Rezac
Carlos Vega
Eric Elliott
Squeak Carnwath
Maki Tamura

Margot Quan Knight
Gary Hill
Message In A Bottle
Adam Sorensen
Claire Cowie
Bing Wright
Roy McMakin
Katrina Moorhead
Claudette Schreuders
Marcelino Goncalves
room X room
Rashid Johnson
Scott Foldesi
Shaun O'Dell
Claude Zervas
Amir Zaki
Glenn Rudolph
Angela Fraleigh
Jeffry Mitchell
Steve Davis
Mary Ann Peters
Mark Mumford
Roy McMakin
Geoffrey Chadsey
Patrick Holderfield
Junctions
Todd Simeone
Claire Cowie
Laura Letinsky
Keith Tilford
Mary Ann Peters
Jeffry Mitchell
Richard Rezac
Stephanie Syjuco
Claude Zervas
Squeak Carnwath
Marcelino Gonçalves
Peter Schuyff
Tom Baldwin
Tania Kitchell
Jeffry Mitchell

Shaun O'Dell

Mark Mumford

Efrain Almeida

Keith Tilford
Glenn Rudolph
Claire Cowie
Patrick Holderfield

Ramona Trent
Roy McMakin
Yunhee Min

Claude Zervas

Casey Keeler

Henry Turmon
Lisa Liedgren
Laurie Reid
Amir Zaki
Adam Ross
Richard Rezac
Geoffrey Chadsey
Claire Cowie
Michelle Fierro

Eric Elliott
July 3 - August 23, 2008


 

Eric Elliott , Ficus, 2008, Oil on canvas, 18" X 24"

 

 


James Harris Gallery is pleased to present its first solo exhibition by Seattle artist Eric Elliott. Inspired by scientific theories of a unified field, or an underlying interconnectedness in the physical world, Elliott uses traditional still life painting (in an untraditional manner) in order to explore the relationship between a gathering of objects.

In past work, the artist's attention was turned towards any number of random objects available in his studio-paint cans, a teapot, and a myriad of vessels. In his current exhibition, Elliott presents six paintings, each organized simply around a single plant. Using this common theme, the artist makes evident his interest in both interconnectedness and difference, and the balance between the two. Indeed, Elliott at times allows the plant to emerge as a distinct point of focus and, at others, makes it barely visible, leaving it to mix with the whole of its environment.

Elliott achieves his visual amalgamations through his limited palette, united around a neutral gray, and dense applications of paint that both reveal objects and push them into pictorial abstraction. His still lifes serve as a metaphor for any gathering of objects, and elegantly suggest that everything is part of a larger whole.

 
 

 

 
 

Photinia #1 , 2008
Oil on canvas
24" X 24"

 
 

Photinia #2, 2008
Oil on canvas
24" X 24"

 
 

Spathiphylum, 2008
Oil on canvas
30" X 22"


 
  Photinia #3, 2008
Oil on panel
48 " X 42"
 
  Untitled, 2008,
Oil on canvas,
24 " X 30"