Current Exhibitions
Squeak Carnwath
Maki Tamura


Upcoming Exhibition
Todd Simeone

Previous Exhibitions
Margot Quan Knight
Gary Hill
Message In A Bottle

Adam Sorensen
Claire Cowie

Bing Wright

Roy McMakin

Katrina Moorhead

Claudette Schreuders

Marcelino Goncalves

room X room

Rashid Johnson

Scott Foldesi

Shaun O'Dell

Claude Zervas
Amir Zaki

Glenn Rudolph
Angela Fraleigh
Jeffry Mitchell
Steve Davis
Mary Ann Peters

Mark Mumford

Roy McMakin
Geoffrey Chadsey
Patrick Holderfield
Junctions

Todd Simeone
Claire Cowie
Laura Letinsky
Keith Tilford
Mary Ann Peters
Jeffry Mitchell
Richard Rezac
Stephanie Syjuco
Claude Zervas

Squeak Carnwath
Marcelino Gonçalves
Peter Schuyff
Tom Baldwin

Tania Kitchell
Jeffry Mitchell

Shaun O'Dell

Mark Mumford

Efrain Almeida

Keith Tilford
Glenn Rudolph
Claire Cowie
Patrick Holderfield

Ramona Trent
Roy McMakin
Yunhee Min

Claude Zervas

Casey Keeler

Henry Turmon
Lisa Liedgren

Laurie Reid
Amir Zaki
Adam Ross
Richard Rezac
Geoffrey Chadsey
Claire Cowie
Michelle Fierro

Previous Exhibition

Mary Ann Peters
Works on Paper

Jan 5 - Feb 11, 2006



 

James Harris Gallery is pleased to present a solo exhibition by Seattle artist Mary Ann Peters. The show of small and large scale works on paper is her first solo exhibition in five years. Peters creates atmospheric space by building her own encompassing universe of form, line and color. Inspired by her Lebanese heritage, Peters’ work investigates a combination of Western aesthetic elements with Arabic influences. This cross-cultural interest gives Peters’ work a unique personal vocabulary.

These new intimate and powerful drawings act as queries first and foremost. For the artist, they question the nature of place, cornered and defined by biomorphic forms, architectural markers, ambiguous atmospheres, and the influence of perspective both near and far. Fleeting references intertwine to form both microscopic and macroscopic abstract pictorial landscapes. In this fine-spun and ethereal exploration of constructed space each mark adds to a dialogue between figure and ground: shapes, lines and colors overlap and fit together to create an illusory world.

Peters’ unique formal vocabulary uses a combination of Arabesque lines, organic shapes and washes of graphite and color. The fluidity of dark lines draws from her interest in Arabic calligraphy. Driven by something largely felt, or initiated by and guided within intuition, these elements combine to give her work a rhythmic spontaneity and complexity.

Sensuous in their forms and inviting in their reference to a personal territory, Peters’ work maps a response to a place either real or imagined. In most cases the drawings build on details that one could find in reality but never in that particular configuration. They are abstractions anchored by the possibility that the elements exist. With her sumptuous layering of mustard yellow and contrasting green and ochre washes, Peters creates a world in which we can all share.

flash, 2005
graphite powder, gouache, watercolor on polypropolene paper
11" x 14"
float, 2005
graphite powder, gouache, watercolor on polypropolene paper
11" x 14"
tandem, 2005
graphite powder, gouache, watercolor on polypropolene paper
11" x 14"
 
       
cusp, 2005
graphite powder, gouache, watercolor on polypropolene paper
11" x 14"
tumble, 2005
graphite powder, gouache, watercolor on polypropolene paper
11" x 14"
surge, 2005
graphite powder, gouache, watercolor on polypropolene paper
11" x 14"
 
       
sling, 2005
graphite powder, gouache, watercolor on polypropolene paper
11" x 14"
     
       
       

 

   
 
Please click each thumbnail for a larger image to pop up in a new window.
   
 
 
 
bridge (italy diary), 2005
Watercolor and gouache on cast-coated paper
25" x 38"
   
 
 
step (italy diary), 2004
Watercolor and gouache on cast-coated paper
25" x 38"
   
 
 
slide (italy diary), 2004
Watercolor and gouache on cast-coated paper
24" x 32"
   
 
 
slope (italy diary), 2004
Watercolor and gouache on cast-coated paper
24" x 34"
   
 
 
drift, 2005
gouache, watercolor, graphite powder
on polypropylene paper
40” x 130”

   
 
 
drift, 2005 (detail)
 
 
corridor (between here and there), 2005
gouache, watercolor, pencil
on polypropylene paper
56” x 120”
   
 
 
corridor (between here and there), 2005 (detail)