Roy McMakin
: Purplish

Claire Cowie
Yunhee Min


Tania Kitchell
Richard Rezac

Carlos Vega
Eric Elliott
Squeak Carnwath
Maki Tamura

Margot Quan Knight
Gary Hill
Message In A Bottle
Adam Sorensen
Claire Cowie
Bing Wright
Roy McMakin
Katrina Moorhead
Claudette Schreuders
Marcelino Goncalves
room X room
Rashid Johnson
Scott Foldesi
Shaun O'Dell
Claude Zervas
Amir Zaki
Glenn Rudolph
Angela Fraleigh
Jeffry Mitchell
Steve Davis
Mary Ann Peters
Mark Mumford
Roy McMakin
Geoffrey Chadsey
Patrick Holderfield
Junctions
Todd Simeone
Claire Cowie
Laura Letinsky
Keith Tilford
Mary Ann Peters
Jeffry Mitchell
Richard Rezac
Stephanie Syjuco
Claude Zervas
Squeak Carnwath
Marcelino Gonçalves
Peter Schuyff
Tom Baldwin
Tania Kitchell
Jeffry Mitchell

Shaun O'Dell

Mark Mumford

Efrain Almeida

Keith Tilford
Glenn Rudolph
Claire Cowie
Patrick Holderfield

Ramona Trent
Roy McMakin
Yunhee Min

Claude Zervas

Casey Keeler

Henry Turmon
Lisa Liedgren
Laurie Reid
Amir Zaki
Adam Ross
Richard Rezac
Geoffrey Chadsey
Claire Cowie
Michelle Fierro

James Harris Gallery
Presents

Purplish: Works by Roy McMakin
October 2nd- November 8th, 2008


 

Untitled (a small chest of drawers with one drawer that doesn’t fit), 2008,
51 ¼” x 28” x 20”, Maple, enamel paint

 

 


James Harris Gallery is pleased to present Purplish, an exhibition featuring new work by Roy McMakin. As artist, architect, and furniture designer, McMakin moves seamlessly between these varied disciplines, always toying with our expectations of that which surrounds us in the domestic realm.

Purplish unites McMakin’s conceptually rigorous work in sculpture, photography, and drawing. Sculpturally, the artist has a penchant for disrupting the familiar in everyday furniture, often confounding the functionality of such objects. A chest of drawers, for example, is a chest of drawers, yet with one exception—one drawer sits apart, too large to fit the empty hole it should fill. In the same way, McMakin uses the medium of photography to create objects that embrace both wit and significance. By transforming two found paintings, a partially sewn blouse, and pieces of faded fabric into photographic two-dimensional artworks, he captures the details that often go unnoticed and engages in a philosophical contemplation of the lived history of such objects.

McMakin’s photographs, seemingly simple and pared down, embody the artist’s exquisite attention to detail. They are constructed much like his furniture, with many parts subsumed into a coherent whole. As if each were a sculpture, McMakin gives dimension to this flat medium by examining the objects on all sides—front and back, top and bottom, left and right. Moreover, attempting to avoid the manifest distortion of the camera lens, he constructs each of these views through a composite of numerous images—a process that not only acknowledges the limits of the medium but also suggests the limits of our own perceptual understanding. Purplish, bringing together a compelling body of work that subtly explores notions of family and relationships through objects, demonstrates the artist’s constant reframing of the domestic realm and his play with the lines between art, architecture, and design.

McMakin’s work has been shown nationally, most notably in a 2003 retrospective exhibition at the Museum of Contemporary Art, Los Angeles, and the Henry Art Gallery. Other venues for his solo exhibitions include the Portland Art Museum, San Diego State University Art Gallery, and Seattle Art Museum. McMakin’s work has recently been featured in Art on Paper, Wallpaper, and The New York Times Magazine.

 

6 Photographs of a Painting of a Boy I Bought at an Antique Mall, 2008
2 views 38 ½” x 6 ½”; 2 views 38 ½” x 36 ¾”; 2 views 8 ½” x 36 ¾”
Digital pigment print

 

 
 

Untitled, 2008
49 ¾” x 27” x 28 ¾”
Found chair, plywood, enamel paint

 
 

2 Photographs of an Unframed Painting on Paper of a Man, 2008
2 views both 26 ¾” x 25”
Digital pigment print

 
 

2 Photographs of Both Sides of a Fragment of a Blouse That Wasn’t Completed, 2008
2 views both 24” x 30”
Digital pigment print

 
 

4 Photographs of Both Sides of 2 Pieces of Fabric I’ve Had For a Long Time, 2008
4 views all 72” x 60”
Digital pigment print