Biography

Selected Works / Exhibitions / Biography / Available Inventory

Squeak Carnwath
Born: 1947, Abington Pennsylvania
Lives and works in Oakland, CA

Education

1977 California College of Arts and Crafts, Oakland, M.F.A.
1970-71 California College of Arts and Crafts, Oakland, CA
1969-70 Goddard College, Plainfield, Vermont

Awards and Honors

2008
Emil and Dines Carlsen Award, 183rd Annual: An Invitational Exhibition of Contemporary Art, National Academy Museum, New York, NY

2006
Research Enabling Grant, University of California, Berkeley, CA

2005
Research Enabling Grant, University of California, Berkeley, CA
Teaching Mini Grant, University of California, Berkeley, CA

2004
Research Enabling Grant, University of California, Berkeley, CA
Teaching Mini Grant, University of California, Berkeley, CA

2003
Faculty Research Award, University of California, Berkeley, CA

2002
Award for Visual Artists, Flintridge Foundation, Pasadena, CA
Faculty Research Award, University of California, Berkeley, CA

2001
Special Recognition Award for the SFO Art Enrichment project, Fly, Flight, Fugit, Precut Eyes Muralists Association, Inc., San Fransisco, CA

1998
Modern Master, Museum of Art and the Environment, Marin, CA

1996
The Alma B.C. Schapiro Residency for a Woman Painter, Yaddo, Saratoga Springs, NY
“Hometown Heroes, Oakland Artists Who Have Made a Difference,” Office of the Mayor, Oakland, CA

1994
Guggenheim Fellowship

1992
The Rosenkranz Family Fellowship, Djerassi Resident Artists Program, Woodside, CA

1990
Alice Baber Art Award
University of California, Davis, Faculty Research Award

1989
University of California, Davis, Faculty Research Award

1987
University of California, Davis, Faculty Research Award
University of California, Davis, Faculty Summer Fellowship

1986
University of California, Davis, Faculty Research Award

1985
National Endowment for the Arts, Individual Artist Fellowship
University of California, Davis, Faculty Research Award

1980
National Endowment for the Arts, Individual Artist Fellowship
Society for the Encouragement of Contemporary Art of the San Francisco Museum of Modern Art (SECA), Award in Art

Teaching

2014 Guest Artist, Lodestar School of Art, Connemara, Ireland

2011 Professor Emeritus, University of California, Berkeley, CA

2008-10 Professor of Art, University of California, Berkeley, CA

1998-08 Professor in Residence, Department of Art Practice, University of California, Berkeley

1983-98 Professor of Art, University of California, Davis

1993-94 Visiting Professor & Associate Dean, School of Fine Arts, California College of Arts and Crafts, Oakland

1982-83 Visiting Artist, University of California, Berkeley

1982 Guest Artist, California College of Arts and Crafts, Oakland

1980-82 Shopmaster (ceramics), California College of Arts and Crafts, Oakland

1979 Guest Artist, California College of Arts and Crafts, Oakland

1978 Instructor, Ohlone College, Fremont CA
Instructor, California College of Arts and Crafts, Oakland

1977-78 Guest Artist, California College of Arts Crafts, Oakland
Community Artist, Neighborhood Arts Program, Alameda County

1976 Teaching Assistant (ceramics), California College of Arts and Crafts, Oakland

1971 Teaching Assistant (ceramics) for Vernon Coykendahl, California College of Arts and Crafts, Oakland

Solo Exhibitions (* indicates exhibition catalogue or brochure was published)

2016
What Before Comes After, Jane Lombard Gallery, New York, NY
Inside Magnolia Editions: Collaboration and Innovation, Art Museum of Sonoma County, Santa Rosa, CA
Everyday Is Not The Same: Squeak Carnwath’s Prints and Papers, Jordan Schnitzer Museum of Art, University of Oregon, Eugene, OR

2015
Lucky Dog, Taylor Pigott Gallery, Jackson Hole, WY
Songs, James Harris Gallery, Seattle, WA
Squeak Carnwath, Lux Art Institute, Encinitas, CA
Collection in Focus: Squeak Carnwath, di Rosa, Napa, CA

2014
Squeak Carnwath, Peter Mendenhall Gallery, Los Angeles, CA
State of Mind, Fremont Center Lobby, San Fransisco, CA
Squeak Carnwath: Works on Paper 1979-2013, College of Marin Fine Arts Gallery, Kentfield, CA
Recent and Now, Clark Gallery, Lincoln, MA
Legends of the Bay Area: Squeak Carnwath, Marin Museum of Contemporary Art, Novato, CA

2012
Squeak Carnwath: Here Is, James Harris Gallery, Seattle, WA

2011
On View: New Work from Kala, Kala Art Institute, Berkeley, CA
Squeak Carnwath, Triton Museum of Art, Santa Clara, CA
Squeak Carnwath, Sylvia White Gallery, Ventura, CA

2010
Squeak Carnwath: Recent Paintings, Shasta College Art Gallery, Redding, CA
Squeak Carnwath: A Little Light, Turner Carroll Gallery, Santa Fe, NM

2009
Squeak Carnwath, Peter Mendenhall Gallery, Los Angeles, CA
Squeak Carnwath: Loose Change, JH Muse Gallery, Jackson, WY
Squeak Carnwath: Spare Change, Turner Carroll Gallery, Santa Fe, NM
Squeak Carnwath: Painting Is No Ordinary Object, Oakland Museum of California, Oakland, CA
Squeak Carnwath: New Work, John Berggruen Gallery, San Fransisco, CA

2008
Mixing It Up: A Survey of Prints Organized by Tracy Bosche, Slugfest Gallery, Austin, TX
Squeak Carnwath, James Harris Gallery, Seattle, WA
Squeak Carnwath New Paintings & Prints, Cuesta College Art Gallery, Cuesta College, San Luis Obispo, CA

2007
Squeak Carnwath Short Stories, Texas State University Sa Marcos, JCM Gallery, San Marcos, TX
Squeak Carnwath, University of California Berkeley, The Townsend Center, Berkeley, CA
Squeak Carnwath A Matter of Record, Gail Severn Gallery, Ketchum, ID

2006
Squeak Carnwath What Goes Around, Mendenhall Sobieski Gallery, Pasadena, CA
Squeak Carnwath, JH Muse Gallery, Jackson, WY
Squeak Carnwath, Off the Record, Nielsen Gallery, Boston, MA
Squeak Carnwath, b.sakata garo fine art, Sacramento, CA

2005
Squeak Carnwath Guilt Free Zone, Paulson Press, Berkeley, CA
Squeak Carnwath Primary Research, James Harris Gallery, Seattle, WA

2004
Squeak Carnwath, Oakland Art Gallery, Oakland, CA
Squeak Carnwath Being Human: Paintings & Prints, 1998-2004, Olin Art Gallery, Kenyon College, Gambier, OH

2003
Squeak Carnwath: Paper Trail, John Berggruen Gallery, San Fransisco, CA

2002
Still Happy: Paintings and prints by Squeak Carnwath, Craft & Cultural Arts, Oakland, CA
New Color Etchings, Paulson Press, Berkeley, CA
Squeak Carnwath: Selections From The Studio, Allene Lipides Gallery, Santa Fe, NM

2001
Squeak Carnwath: selected paintings, Fayerweather Gallery, University of Virginia, Charolettesville, VA
Squeak Carnwath, John Berggruen Gallery, San Francisco, CA
Squeak Carnwath, James Harris Gallery, Seattle, WA

2000
Squeak Carnwath: Talking Pictures, David Beitzel Gallery, New York, NY
Squeak Carnwath, Sweeney Art Gallery, U. C. Riverside, CA*

1999
Squeak Carnwath: The Am-ness of Things, Museum of Contemporary Art, Lake Worth, FL*
Squeak Carnwath: Paintings, Gallery A, Chicago, IL
Squeak Carnwath: Stories, Byron Cohen Gallery, Kansas City, MO
Squeak Carnwath: New Color Etchings, Paulson Press, Emeryville, CA
Squeak Carnwath: Paintings, Allene Lapides Gallery, Santa Fe, New Mexico
Squeak Carnwath: Tamarind Collector’s Club Print, Albuquerque, NM

1998
David Beitzel Gallery, New York, NY*
Squeak Carnwath: Seeing in the Dark, California Museum of Art, Luther Burbank Center for the Arts, Santa Rosa, CA*
Squeak Carnwath: Undraped Human Being, John Berggruen Gallery, San Francisco, CA*

1997
Cohen Berkowitz Gallery, Kansas City, MO

1996
Relative, John Berggruen Gallery, San Francisco, CA*
David Beitzel Gallery, New York, NY

1995
Dorothy Goldeen Gallery, Santa Monica, CA*
Equations: The Paintings of Squeak Carnwath, Bank of America World Headquarters, San Francisco, CA*
Ohio University Art Gallery, Athens, OH
Squeak Carnwath: Eden In The Studio, University Art Gallery, California State University, Stanislaus, Turlock, CA*

1994
Chrysler Museum, Norfolk, VA*
O.K. Harris/David Klein Gallery, Birmingham, MI
San Jose Museum of Art, San Jose, CA*
Dorothy Goldeen Gallery, Marina Del Rey, CA
John Berggruen Gallery, San Francisco, CA*
Cohen Berkowitz Gallery, Kansas City, MO
The Contemporary Museum, HI*

1993
LedisFlam Gallery, New York, NY

1992
Dorothy Goldeen Gallery, Santa Monica, CA
Squeak Carnwath: Recent Work, Monterey Peninsula Museum of Art, Monterey, CA

1991
Squeak Carnwath: Works on Paper and Prints, Shea & Beker, New York, NY
John Berggruen Gallery, San Francisco, CA*
Dorothy Goldeen Gallery, Santa Monica, CA*

1990
Shea & Beker, New York, NY
Squeak Carnwath: Nature’s Alchemy, San Diego State University Gallery, San Diego, CA

1989
John Berggruen Gallery, San Francisco, CA
Dorothy Goldeen Gallery, Santa Monica, CA
Marilyn Butler Fine Art, Scottsdale, AZ

1988
Fuller Gross Gallery, San Francisco, CA

1987
Gloria Luria Gallery, Miami, FL
Marilyn Butler Fine Art, Scottsdale, AZ
Davis Art Center, Davis, CA

1986
Van Straaten Gallery, Chicago, IL
Fuller Goldeen Gallery, San Francisco, CA

1985
Nelson Gallery, University of California, Davis, CA
Van Straaten Gallery, Chicago, IL

1984
Getler/Pall/Saper Gallery, New York, NY
Fuller Goldeen Gallery, San Francisco, CA

1983
Palo Alto Cultural Center, Palo Alto, CA
Brentwood Gallery, St. Louis, MO

1982
Hansen Fuller Goldeen Gallery, San Francisco, CA

1980
Society for the Encouragement of Contemporary Art (SECA) Award 1980, San Francisco Museum of Modern Art, San Francisco, CA*

1978
San Francisco Art Commission Gallery, San Francisco, CA

1975
Richmond Art Center, Richmond, CA

1971
Salon D’Art, Oakland, CA

Group Exhibitions (* indicates exhibition catalogue or brochure was published)

2016
Material Matters, Seager Gray Gallery, Mill Valley, CA

2015
Community of Influence, February 5 – 11, 2015, New York, NY
Napa Valley Collects, April 3 – May 31, 2015, Napa Valley Museum, Yountville, CA
Painting is Not Doomed to Repeat Itself, Hollis Taggart Gallery, New York, NY

2014
Paint by Numbers, March 6 – March 26, 2014, Kondos Gallery, Sacramento City College, Sacramento, CA
Woven, March 17 – April 7, 2014, Turner Carroll Gallery, Santa Fe, NM
Building Forward, Looking Back, April 9 – June 15, 2014, de Saisset Museum, Santa Clara University, Santa Clara, CA
Summer Shuffle: Contemporary Art @ PAFA Remixed, June 27 – October 12, 2014, Pennsylvania Academy of the Fine Arts, Philadelphia, PA
In Passionate Pursuit: The Arlene and Harold Schnitzer Collection and Legacy, October 18, 2014 – January 11, 2015, Portland Art Museum, Portland, OR*
All in the Family: A Group Exhibition of Gallery Artists, December 9, 2014 – January 31, 2015, Seager Gray Gallery, Mill Valley, CA

2013
When Collecting Becomes a Collection – Sharing the Gifts of Wilfred Davis Fletcher with the Community, October 31 – January 26, 2014, Long Beach Museum of Art, Long Beach, CA
ThEN is Now: The 10 Year Anniversary Exhibit, September 6 – October 26, 2013, Joyce Gordon Gallery, Oakland, CA
Textures: The Written Word in Contemporary Art, May 4 – June 15, 2013, ACA Galleries, New York, NY
Pals: Squeak Carnwath, Hung Liu, Katherine Sherwood, April 30 – June 1, 2013, B. Sakata Garo, Sacramento, CA
Interwoven: Contemporary Tapestries, March 23 – April 22, 2013, SCAPE, Corona del Mar, CA

2012
Flora, December 14, 2012 – February 2, 2013, Tayloe Piggott Gallery, Jackson Hole, WY
Tandem Press: Twenty-five Years, December 8, 2012 – February 3, 2013,Chazen Museum of Art, University of Wisconsin-Madison, Madison, WI
The Female Gaze: Women Artists Making Their World, November 17, 2012 – April 14, 2013, Pennsylvania Academy of the Fine Arts, Philadelphia, PA*
Digital Mixed Media, June 29 – September 9, Petaluma Arts Center, Petaluma, CA Heroes: Deborah Oropallo, Hung Liu and Squeak Carnwath, April 27 – May 21, Turner Carroll Gallery, Santa Fe, NM
I am Not Animal, April 6 – 29, UD@ Crane, Philadelphia, PA
Choose Paint!, March 22 – September 23, Museum of the African Diaspora, San Francisco, CA
Blink – Organized by Turner Carroll Gallery, January 18 – March 31, Stay ZaZa Art House & Social Gallery, Hotel Zaza, Dallas, TX
Aspects of New Realism – Curated by Michael Klein, January 7 – February 18, Arthur Roger Gallery, New Orleans, LA

2011
Past as Prologue – Preview of Upcoming Exhibitions in 2012, December 22, 2011 – February 8, 2012, Gail Severn Gallery, Ketchum, ID
Fifty Years of Bay Area Art – The SECA Awards, December 9, 2011 – April 3, 2012, SFMOMA, San Francisco, CA
The Missing Peace: Artists Consider the Dalai Lama, October 9, 2010 – January 9, 2011, Nobel Museum, Stockholm, Sweden
For the Love of Paper: 13 Artists, December 16, 2010 – January 23, 2011, Tayloe Piggott Gallery, Jackson, WY
Island Press: Three Decades of Printmaking, January 28 – April 18, Mildred Lane Kemper Art Museum, Saint Louis, MO
Impressions from the CCA(C) Print Shop, March 4 – April 16, Studio Quercus, Oakland, CA
American Printmaking Now, March 8 – April 8, Shanghai Art Museum, Shanghai, China The Missing Peace – Artists Consider the Dalai Lama, March 12 – July 31, San Antonio Museum of Art, San Antonio, TX
Rock/Paper/Scissors, March 29 – April 30, Clark Gallery, Lincoln, MA
These Are a Few of my Favorite Things: Summer Group Show, June 10 – July 23, Sylvia White Gallery, Ventura, CA
The Missing Peace: Artists Consider the Dalai Lama, September 15 – December 14, The Learning Center at Santa Clara University, Santa Clara, CA
Marks and Conversations II, October 7 – November 18, Gail Severn Gallery, Ketchum, ID
Animal Logic, October 13 – December 16, Richmond Center for the Visual Arts at Western Michigan University, Kalamazoo, MI
Hybrid, October 21 – November 27, Kleinert/James Art Center at Woodstock Byrdcliffe Guild, Woodstock, NY
Marks and Conversations III, November 25 – December 22, Gail Severn Gallery, Ketchum, ID

2010
Past Traces: Select Prints from Magnolia Editions, January 26 – March 5, Pence Gallery, Davis, CA
Modern and Contemporary Art at Dartmouth: Highlights from the Hood Museum of Art, September 26, 2009 – March 14, 2010, Hood Museum of Art at Dartmouth College, Hanover, NH
Story Painters: Drawings, Paintings, Prints and Tapestries by Squeak Carnwath, Hung Liu, and Inez Storer, February 16 – April 11, Bedford Gallery at the Lesher Center for the Arts, Walnut Creek, CA*
The Missing Peace: Artists Consider the Dalai Lama (travelling exhibition), May 18 – July 18, Brukenthal National Museum, Siblu, Romania
West Coast Contemporary: A Survey, June 11 – July 7, 2010, Turner Carroll Gallery, Santa Fe, NM
A Child’s World, June 19 – September 26, Triton Museum of Art, Santa Clara, CA Local Treasures: Six Extraordinary Artists, June 26 – August 8, Berkeley Art Center, Berkeley, CA
Unbound: A National Exhibition of Book Art, July 11 – September 19, Bedford Gallery, Walnut Creek, CA
American Printmaking Now, October 9 – November 5, National Art Museum of China, Beijing, China; November 16 – December 5, Guan Shanyue Art Museum, Shenzen, China

2009
The Missing Peace: Artists Consider the Dalai Lama (travelling exhibition), October 9, 2009 – January 10, 2010, The Frost Art Museum, Miami, FL
The Artist Eye, December 23, 2009 – February 1, 2010, Gail Severn Gallery, Ketchum, ID
Up On The Wall: 6 Painters From The West, October 16 – December 5, University of Idaho, Prichard Art Gallery, Moscow, ID
Faculty Show 2009: UC Berkeley Department of Art Practice, February 10 – 27, University of California Berkeley, Department of Art Practice, Worth Ryder Gallery, Kroeber Hall, Berkeley, CA
Figure, February 2 – February 27, b. Sakata Garo, Sacramento, CA
The Missing Peace: Artists Consider the Dalai Lama (travelling exhibition), January 30 – April 12, 2009, Fundacion Canal, Madrid, Spain
Turner Carroll Gallery: Contemporary Tapestries, May 19 – June 13, Turner Carroll Gallery, Santa Fe, NM
Multiple X Multiple: A Survey of Contemporary Print Media, October 8 – November 8, Ewing Gallery of Art and Architecture, University of Tennessee, Knoxville*

2008
Prints from Tandem Press: Collaboration as Education, January 20 – April 13, Maier Museum of Art, Randolph College, Lynchburg, VA
Make the Art You Need: The UC Berkeley Department of Art Faculty Show, February 6 – 22, University of California Berkeley, Department of Art Practice, Worth Ryder Gallery, Kroeber Hall, Berkeley, CA
Women’s Work Contemporary Women Printmakers from the Collections of Jordan D. Schnitzer and his family foundation, February 25 – April 2, The Art Gym, Marylhurst, OR*
Bay Area Ceramic Sculpture, March 29 – May 17, di Rosa Preserve: Art & Nature, Gatehouse Gallery, Napa, CA
Muse Among the Vines Art from the North Bay Wine Country, April 18 – July 9, Organized by Oakland Museum of California, Oakland International Airport, Oakland, CA
UC Davis Artists from the Collections of Jordan D. Schnitzer and his family foundation, April 26 – May 15, Robert Mondavi Winery, Napa, CA*
Opening Show, April 26 – May 24, Peter Mendenhall Gallery, Los Angeles, CA
To Infinity and Beyond Mathematics in Contemporary Art, April 26 – June 22, Heckscher Museum of Art, Huntington, NY
Magnolia Tapestry Project, May 20 – September 20, Fort Collins Museum of Contemporary Art, Fort Collins, CO
The 183rd Annual: An Invitational Exhibition of Contemporary American Art, May 29 – September 7, National Academy Museum & School of Fine Arts, New York, NY* The Tapestry Show, June 8 – 30, Turner Carroll Gallery, Santa Fe, NM
Vital Signs, August 20 – October 19, Newcomb Art Gallery, Tulane University, New Orleans, LA
The Missing Peace: Artists Consider The Dalai Lama, October 17- November 9, Daikanyama, Tokyo, Japan*
Anderson Ranch at the Aspen Art Museum, October 30 – December 7, Aspen Art Museum, Aspen, CO*

2007
The Missing Peace: Artists Consider the Dalai Lama, December 1 – March 16, 2008, Yerba Buena Center for the Arts, San Francisco, CA*
Women’s Work Contemporary Women Printmakers from the Collections of Jordan D. Schnitzer and his family foundation, October 27 – January 20, 2008, Hallie Ford Museum of Art at Willamette University, Salem, OR*
SJMA Collects CCA: Works on Paper from the Permanent Collection, October 20 – February 3, 2008, San Jose Museum of Art, San Jose, CA
Artists of Invention: A Century of CCA, October 13 – March 16, 2008, Oakland Museum of California, Oakland, CA*
Celebrating a Centennial: Contemporary Printmaking at CCA, September 29, 2007 – January 6, 2008, de Young Museum, San Francisco, CA*
Summer Invitational, June 23 – August 4, Nielsen Gallery, Boston, MA
CCA[C]@di Rosa Preserve, May 26 – July 14, di Rosa Preserve, Napa, CA
The Missing Peace: Artists Consider the Dalai Lama, March 9 – September 4, Rubin Museum of Art, New York, NY*
Faculty Show, February 7 – 23, University of California Berkeley, Department of Art Practice, Worth Ryder Gallery, Kroeber Hall, Berkeley, CA
Parallel Visions, January 20 – February 24, Nielsen Gallery, Boston, MA

2006
Faculty Show, University of California Berkeley, Department of Art Practice, Worth Ryder Gallery, Kroeber Hall, Berkeley, CA
Tony Berlant, Squeak Carnwath, Chris Cox and Delos Van Earl, Gail Severn Gallery, Ketchum, ID
Squeak Carnwath and Mette Tommerup, April – May 27, Byron Cohen Gallery, Kansas City, MO
The Missing Peace Project: Artists Consider the Dalai Lama, Fowler Museum, University of California Los Angeles, Los Angeles, CA*
Painting as Object, Gail Severn Gallery, Ketchum, ID
Limited Edition Intaglio Prints, JH Muse Gallery, Jackson, WY Summer, Nielsen Gallery, Boston, MA
Summer Selections, John Berggruen Gallery, San Francisco, CA

2005
Magnolia Editions: Tapestries, JayJay, Sacramento, CA
Paintings, John Berggruen Gallery, San Francisco, CA
Artist/Teacher/Artist, Sonoma Valley Museum of Art, Sonoma, CA
Faculty Show, University of California Berkeley, Department of Art Practice, Worth
Ryder Gallery, Kroeber Hall, Berkeley, CA
Draw, Dwight Hackett Projects, Santa Fe, NM
Squeak Carnwath, Mildred Howard, Catherine Wagner: New Works, di Rosa Preserve, Napa, CA
Highlights New Acquisitions, John Berggruen Gallery, San Francisco, CA
Tapestries By Contemporary Artists, The Judson Gallery, Los Angeles, CA
Beyond the Pour: Pairing Art and Wine Label Design, San Francisco Museum of Craft and Design, San Francisco, CA*
Majestic Tapestries of Magnolia Editions Woven Work by Contemporary Painters,
November 30, 2005 – January 29, 2006, Bedford Gallery, Dean Lesher Regional Center for the Arts, Walnut Creek, CA
The Collection of Sheppard Pratt: Challenges and Triumphs Over Mental Illness and Addiction, Sheppard Pratt Hospital, Towson, MD

2004
Faculty Show, University of California Berkeley, Department of Art Practice, Worth Ryder Gallery, Kroeber Hall, Berkeley, CA
Innocence found, June 9 – August 27, DFN Gallery, New York, NY
I Love Music, Creative Growth Art Center, Oakland, CA
Contemporary Tapestries, Edith Caldwell Gallery, Sausalito, CA
Weaving Weft and Warp: Tapestries from Magnolia Editions, San Jose Institute of Contemporary Art, San Jose, CA
Heritage Fine Arts Collaborative – 10th Anniversary Exhibition, Heritage Bank of Commerce, San Jose, CA
WOODCUTS Experimental Workshop, Lobby Gallery, 455 Market Street, San Francisco, CA
TEN, Byron C. Cohen Gallery for Contemporary Art, Kansas City, MO
The True Artist is an Amazing Luminous Fountain, Selected Works from the di Rosa Preserve: Art & Nature, The Kreeger Museum, Washington, D.C.*
Expansion, Winston Wachter Fine Art, Seattle, WA
It’s About Time: Celebrating 35 Years, The San Jose Museum of Art, San Jose, CA* Reading Meaning: Word and Symbol in the Art of Squeak Carnwath, Lesley Dill, Leslie Enders Lee and Anne Siems, October 30 – December 19, Ruth Chandler Williamson Gallery, Scripps College, Claremont, CA*
Magnolia Tapestry Project: John Nava, Squeak Carnwath, Guy Diehl, and Don & Era Farnsworth, Mendenhall-Sobieski Gallery, Pasadena, CA

2003
Winter/Spring 2003, Beitzel Fine Arts, New York, NY
Sprung, University of California Berkeley, Department of Art Practice, Worth Ryder Gallery, Kroeber Hall, Berkeley, CA
Rotation, The Johnson Gallery, The Metropolitan Museum of Art, New York, NY Rotations: An Alternating Exhibition of 20th-21st Century Work, Winston Yachter Mayer Fine Art, New York, NY
Drawings, Sears-Peyton Gallery, New York, NY
A Way With Words, John Berggruen Gallery, San Francisco, CA
CCAC Alumni Exhibition Series, Andrea Schwartz Gallery, San Francisco, CA
Road Trip, September 5 – October 31, Nathan Larramendy Gallery, Ojai, CA
Grand Opening, Paulson Press Gallery, Berkeley, CA
Drawings & Works On Paper: San Francisco/New York/Los Angeles, San Luis Obispo Art Center, San Luis Obispo, CA*
Color Form & Figure, John Berggruen Gallery, San Francisco, CA

2002
From Stone and Plate: Contemporary Prints from Tamarind Institute, Conley Art Gallery, California State University, Fresno, CA
Fresh: 02: Faculty Exhibition, University of California Berkeley, Department of Art Practice, Worth Ryder Gallery, Kroeber Hall, Berkeley, CA
Spring Forward: New Work from the Studio, John Berggruen Gallery, San Francisco, CA
Now in Residence, Allene Lapides Gallery, Santa Fe, NM
Painting’s Edge, June 22 – July 5, Idyllwild Arts, Idyllwild, CA
Fast Forward 11, Berkeley Art Museum, University of California Berkeley, Berkeley,
CA
Printworks 2002, Key Tower Gallery, Key Tower Building, Seattle Arts Commission,
Seattle, WA
Collection Highlights, San Jose Museum of Art, San Jose, CA

2001
First Impressions: The Paulson Press, San Jose Museum Of Art, San Jose, CA*
Kick Back: University of California at Berkeley, Art Faculty, Worth Ryder Gallery, Kroeber Hall, Berkeley, CA
Confrontations, Jane Voorhes Zimmerli Art Museum, Rutgers, The State University of New Jersey, New Brunswick, NJ
Summer In The City, John Berggruen Gallery, San Fransisco, CA
Summer Group Exhibition, David Beitzel Gallery, New York, NY
Artists’ Pages from the Djerassi Resident Artists Program, San Fransisco Arts Commission Gallery, San Fransisco, CA
Winter Work, Triton Museum of Art, Santa Clara, CA
Current Holdings: Bay Area Drawing/Bay Area Collections, Palo Alto Art Center, Palo Alto, CA
In search of form: chairs by artists, architects, and designers, Bolinas Museum, Bolinas, CA
Pay Attention…I hope you learned your lesson: Works from the Collection of Laila Twigg-Smith, The Contemporary Museum, Honolulu, HI
Recent Acquisitions of Contemporary California Works on Paper, California Palace of the Legion of Honor, San Fransisco, CA

2000
Presence: Figurative Work In All Media By NIAD Artists With Special Guest
Artists — Michael Carey and Squeak Carnwath, National Institute of Art and Disabilities Art Center, Richmond, CA
Yellow: The First Color, Bedford Gallery Dean Lesher Regional Center For The
Arts, Walnut Creek, CA
Boom Boom: University of California at Berkeley, Art Faculty, Worth Ryder Gallery, Kroeber Hall, Berkeley, CA
Visions: Material Transformations, San Francisco Art Institute in association with A. T. Kearney, San Francisco, CA
Summer In The City: Major Paintings, Drawings and Sculpture, John Berggruen Gallery, San Francisco, CA
Summer Group Exhibtion, David Beitzel Gallery, New York, New York
Imagery Series: Ongoing Original Wine Label Art, Including Work By Robert Arneson, Squeak Carnwath, William Wiley, Nancy Graces, Pat Steir, Sol LeWitt and Others, Benziger Family Winery, Glen Allen, CA
Marks and Conversions: The Graphic Works of Judy Pfaff and Squeak Carnwath, Milwaukee Institute of Art Design, Layton Gallery, Milwaukee, WI
Bluer, Carrie Secrist Gallery, Chicago, IL

2000
Six Painters: James Barsness, Squeak Carnwath, Willy Heeks, Hung Liu, Katherine Sherwood, Barbara Vos, University Art Gallery, Sonoma State University, Sonoma, CA

1999
University of California at Berkeley, Annual Art Faculty Exhibition, Worth Ryder Gallery, Kroeber Hall, Berkeley, CA
Into The 21st Century: Selections from the Permanent Collection, San Jose Museum of Art, San Jose, CA
The 23rd International Biennial Of Graphic Art, Congress Centre Cankarjev Dom and the Modern Gallery, Slovenia. Organized by the International Centre Of Graphic Art, the embassies of Argentina, Austria, Czech Republic, Croatia, Italy, Hungary, Germany, Poland, Slovak Republic, and Spain with the assistance of the Tamaind Institute.
Summer Group Exhibition, David Beitzel Gallery, New York, NY
Artists’ Pages: Djerassi Resident Artists Program, Palo Alto Art Center, Palo Alto, CA
The Painted Canvas, John Berggruen Gallery, San Francisco, CA
Outward Bound: American Art at the Brink of the Twenty-First Century, Meridian International Center, White-Meyer Galleries, Washington, DC (traveled to: The Museum of Fine Arts, Hanoi, Vietnam; The Museum of Fine Arts, Ho Chi Minh City, Vietnam; The Painting Institute, Shanghai, China; The Working People’s Cultural Palace, Bejing, China; The Singapore Museum of Art, Singapore; The CIPTA Gallery, Jakarta Arts Center, Jakarta, Indonesia)
Sudden Incandescence, Bemis Center For Contemporary Arts, Omaha, NE
Acquisitions, John Berggruen Gallery, San Francisco, CA

1998
Knowing Children, David Beitzel Gallery, New York, NY, June 19 – July 31, 1998.
Wild Things: Artists’ Views of the Animal World, John Berggruen Gallery, San Francisco, CA
Prints From Paulson Press: Radcliffe Bailey, Christopher Brown, Steve Briscoe, Squeak Carnwath, Caio Fonseca, Hung Liu, Deborah Oropallo, Traywick Gallery, Berkeley, CA
Smith Andersen and the Art of Collaborative Printmaking, Nevada Museum of Art, Reno, NV
More Than Clay: The Toki Collection Of Ceramics, Richmond Art Center, Richmond, CA
Founders’ Day Alumni Reunion, Art Program BankAmerica Corporation, San Francisco, CA
The Collectors Gallery Presents: Prints From Magnolia Editions, Oakland Museum of California, Oakland, CA
The Written Word: Text In Art, Cumberland Gallery, Nashville, TN
Women In Print: Recent Prints by Women Artists, California College of Arts and Crafts, Oakland, CA

1997
Seduced by Surface: Eight Bay Area Painters, University Art Gallery at U.C.,
San Diego, CA
Book As Art, 251 Gallery, San Francisco, CA
The Magic of Numbers, Staatsgalerie Stuttgart, Stuttgart, Germany*
Anatomy of a Print, Bedford Gallery, Walnut Creek, CA
The Permanent Collection 1997: Recent Acquisitions, San Jose Museum of Art,
San Jose, CA
Evolving Forms/Emerging Faces, Jane Voorhees Zimmerli Art Museum, Rutgers, The State University of New Jersey, New Brunswick, NJ.
A Thought Intercepted, California Museum Of Art, Luther Burbank Center for the
Arts, Santa Rosa, CA
On The Rim, Transamerica Pyramid, San Francisco, CA
An Exhibition of Works from John Berggruen Gallery, San Francisco, Friesen Gallery, Ketchum, ID
The Numbers Game, The St. Paul Companies, Minneapolis, MN
Bay Area Art from the Morgan Flagg Collection, Fine Arts Museums of San Francisco – M.H. de Young Memorial Museum, San Francisco, CA*

1996
Almost Alchemy, Transamerica Corporation. San Francisco, CA*
RE-IN-CAR-NATION, Oakland Museum of California, Oakland, CA
CCAC: Past, Present, and Future, California College of Arts and Crafts, Oakland, CA
July 1996, David Beitzel Gallery, New York, NY
Generations: The Lineage of Influence in Bay Area Art, Richmond Art Center, Richmond, CA
UC Art Faculty Exhibition at Blake House, University Art Gallery, University of California, Kennsington, CA*
A Collaboration: John Berggruen Gallery at Friesen Gallery, Ketchum, ID
48th Annual American Academy Purchase Exhibition, The American Academy of Arts and Letters, New York, NY.
Art At UC Davis: Selected Works of Faculty and Alumni From the Richard L. Nelson Gallery and The Fine Arts Collection, Shasta College Art Gallery, Redding, CA

1995
Objects of Desire, John Berggruen Gallery, San Francisco, CA
Mednarodni Graficni Bienal, International Biennial of Graphic Art, Ljubljana, Slovenia
Old Glory, New Story: Flagging the 21st Century, Capp Street Project, San Francisco, CA
Small Works, Stephen Haller Gallery, New York, NY
John Berggruen Gallery Twenty-five Years, John Berggruen Gallery, San Francisco, CA
Abstraction, The Bermuda National Gallery, Hamilton, Bermuda

1994
Here and Now: Bay Area Masterworks from the di Rosa Collections, The Oakland Museum, Oakland, CA*
American Art Today: Heads Only, The Art Museum at Florida International University, Miami, FL*

1993
The Intimate Collaboration: Prints from Teaberry Press, University Art Museum, Berkeley, CA (traveling)
Recent Acquisitions, John Berggruen Gallery, San Francisco, CA
Six Easy Pieces, Palo Alto Cutlural Center, Palo Alto, CA
The Pet Show, Benefit for P.O.W.A.R.S., Helander Gallery, New York, NY

1992
ART CONTACT, March 18 – April 15, Central Exhibition Hall, St. Petersburg, Russia*
Fine Arts Presses, City Hall, Civic Center, San Francisco, CA
New Editions 1991–1992, Alice Simsar Gallery, Ann Arbor, MI
Contemporary Uses of Wax & Encaustic, Palo Alto Cultural Center, Palo Alto, CA
Professor’s Choice, Pomona College, Claremont, CA
West Comes East, Ellen Miller/Katie Block Fine Art, Boston, MA
Voices, Shea & Bornstein, Santa Monica, CA
Beyond Just Words: I, Modernism, San Francisco, CA
44th Annual Purchase Exhibition, American Academy and Institute of Arts and Letters, New York, NY

1991
Herstory: Narrative Art by Contemporary California Artists, The Oakland Museum, Oakland, CA*
Small Format Works on Paper, John Berggruen Gallery, San Francisco, CA
Large Scale Works on Paper, John Berggruen Gallery, San Francisco, CA*
Monochrome, Dorothy Goldeen Gallery, Santa Monica, CA
Professor’s Choice, Lang Gallery, Scripps College, Galleries of the Claremont Colleges, Claremont, CA

1991
Do You Hear What I’m Saying?, TransAmerica Building, San Francisco, CA
Freehand Drawing Loosely Defined, Euphrat Gallery, De Anza College, Cupertino, CA

1990
Oakland Artists, The Oakland Museum, Oakland, CA*
Woodblocks, Prints, Etchings, Dorothy Goldeen Gallery, Santa Monica, CA
The Painted Word, Richmond Art Center, Richmond, CA
Prints from Limestone, Simon James Gallery, Berkeley, CA

1989
Invitational Paintings, Shea & Beker, New York, NY
Four California Artists, Fay Gold Gallery, Atlanta, GA
Substance and Surface, Else Gallery, California State University, Sacramento, CA
A.C.D.H.H.H.J.N.P.P.S.T., Nelson Gallery, Department of Art, University of California, Davis
Alice Through the Looking-Glass, Bernice Steinbaum Gallery, New York, NY*

1988
Private Reserve, Dorothy Goldeen Gallery, Santa Monica, CA
Works on Paper: A Comprehensive Survey of Drawings and Watercolors, John Berggruen Gallery, San Francisco, CA*
Selected Acquisitions, John Berggruen Gallery, San Francisco, CA
Twelve Artists, Triton Museum of Art, Santa Clara, CA
Professor’s Choice III, Pomona College, Montgomery Gallery, Claremont, CA
Paintings and Sculpture by Candidates for Art Awards, American Academy and Institute of Arts and Letters, New York, NY
Narrative or Not, University Art Gallery, California State University at Hayward

1987
Bay Area Artists: Small Works Invitational, Janet Steinberg Gallery, San Francisco, CA
The Artists and the Myth, Monterey Peninsula Museum of Art, Monterey, CA
The House in Contemporary Art, University Art Gallery, California State University, Stanislaus, Turlock*
Diversity and Presence, University Art Gallery, University of California, Riverside (traveled)*
Viewing the Figure/Reflecting on the Self, Pritchard Art Gallery, University of Idaho, Moscow
Four Bay Area Artists, Nancy Hoffman Gallery, New York, NY
Bay Area Drawing, Richmond Art Center, Richmond CA*
Present Perspectives: 1975–1985, Fresno Arts Center and Museum, Fresno, CA
Under Currents, Portland Center for the Visual Arts, Portland, OR*
The Importance of Drawing, Fuller Goldeen Gallery, San Francisco, CA

1986
70’s into 80’s: Printmaking Now, Museum of Fine Arts, Boston, MA
Eccentric Drawing, Allan Frumkin Gallery, New York, NY
The Third Western States Biennial, Brooklyn Museum, Brooklyn, NY*
Van Straaten Gallery, Chicago, IL
Cal Collects, University Art Museum, University of California, Berkeley
Young American Artists IV, Mandeville Art Gallery, University of California, San Diego, La Jolla

1985
The Peaceable Kingdom, First Bank, Minneapolis, MN
The 20th Century: The San Francisco Museum of Modern Art Collection, San Francisco Museum of Modern Art, San Francisco, CA*
New Directions/California Painting 1985, Visual Art Center of Alaska, Anchorage (traveled throughout Alaska)*

1984
San Francisco Bay Area Painting, Sheldon Memorial Art Gallery, University of Nebraska, Lincoln, NB*
California, Bluxome Gallery, San Francisco, CA
Frumkin Struve Gallery, Chicago, IL
The Subject Is Object, Hearst Art Gallery, St. Mary’s College, Moraga, CA
Bay Area Connection: Figure Painting 1984, Primary Colors, Carmichael, CA
Modern Romances, Resse Bullen Gallery, California State University Humbolt, Arcata, CA (traveled to San Jose Institute of Contemporary Art, San Jose, CA)
Introducing Six, Virginia Miller Gallery, Coconut Grove, FL
Stars, Fuller Goldeen Gallery, San Francisco, CA
Highlights: Selections from the Bank of America Corporation Art Collection, Bank of America World Headquarters, San Francisco, CA

1983
Prints: Coast to Coast, Bruce Velick Gallery, San Francisco, CA
Bon à tirer, De Saisset Museum, University of Santa Clara, Santa Clara, CA
Elements Matter, Fuller Goldeen Gallery, San Francisco, CA
The Impolite Figure/New Figurative Painting by the Bay Area, Southern Exposure Gallery, San Francisco, CA*
de te Fabula Narratur, San Jose Institute of Contemporary Art, San Jose, CA
Resource/Reservoir, C.C.A.C.: 75 Years, San Francisco Museum of Modern Art, San Francisco, CA

1982
C.C.A.C. 75th Anniversary Exhibition, Richmond Art Center, Richmond CA
From the Sunny Side, The Oakland Museum, Oakland, CA
Emerging Northern California Artists, Orange County Center for Contemporary Art, Santa Ana, CA
Pacific Current/Ceramics 1982, San Jose Museum of Art, San Jose, CA*

1981
Paintings, University Galleries, California State University, Hayward, CA
The Figure: A Celebration, November 5 – 25, Art Museum of South Texas, Corpus Christi, TX (traveled to University of North Dakota Art Galleries, Grand Forks, ND)

1980
The Peaceable Kingdom, Hansen Fuller Gallery, San Francisco, CA
Leah Levy Gallery, San Francisco, CA

1979
Diablo Valley College of Arts and Crafts, Pleasant Hill, CA
Northern California Clay Routes: Sculpture Now, San Francisco Museum of Modern Art, San Francisco, CA*

1978
California College of Arts and Crafts, Oakland, CA
Three Installations, Capricorn Asunder, San Francisco Art Commission Gallery, San Francisco, CA
Mixed Media on Paper: 30 East Bay Women, Berkeley Art Center, Berkeley, CA*

1977
Security National Bank, Los Angeles, CA
Isabelle Percy West Gallery, California College of Arts and Crafts, Oakland, CA

1976
California College of Arts and Crafts, Oakland, CA
Chabot College, Hayward, CA

1974
Designer-Craftsman ’74, Richmond Art Center, Richmond, CA*
1974 Ceramics and Glass, The Oakland Museum, Oakland, CA*

1973
Both-Up Gallery, Berkeley, CA
Richmond Art Center, Richmond, CA
Walnut Creek Civic Arts Gallery, Walnut Creek, CA*

1972
Women U.S.A., June 2 – 25, Laguna Beach Museum of Art, Laguna Beach, CA

Public Art Commissions

COW-A-BUDDHA, CowParade New York 2000
Fly, Flight, Fugit, San Francisco Arts Commission: San Francisco International Airport

Selected Public and Corporate Collections

AirTouch Communications Collections, San Francisco, CA
American Academy of Arts and Letters, New York, NY
Applied Materials, Austin, TX
Arkansas Art Center, Little Rock, AR
BankAmerica Corporation Art Collection, San Francisco, CA
Barkley and Evergreen, Kansas City, MO
Benzinger Family Winery, Glen Allen, CA
Berkeley Art Museum, University of California, Berkeley
Bowdoin College Art Museum, Brunswick, ME
Brooklyn Museum, Brooklyn, NY
Capital Group, Los Angeles, CA
Chase Manhattan Bank, New York, NY
City and County of San Francisco, San Francisco Arts Commission, San Francisco, CA
The Contemporary Museum, Honolulu, HI
First Bank of Minneapolis, Minneapolis, MN
Hallmark Collection, Kansas City, MO
Jewish Museum San Francisco, San Francisco, CA
The Metropolitan Museum of Art, New York, NY
Microsoft Corporation, Redmond, WA
M.I.T., List Visual Art Center, Boston, MA
Museum of Fine Arts, Boston, MA
Richard L. Nelson Gallery and The Fine Arts Collection, University of California, Davis, CA
Norton Museum of Art, West Palm Beach, FL
Oakland Museum Of California, Oakland, CA
Palm Springs Desert Museum, Palm Springs, CA
Persis Corporation, Honolulu, HI
Philip Morris Companies, Inc., New York, NY
Portland Art Museum, Portland, OR
Principal Financial Group, Des Moines, IA
Robertson, Stephens & Company, San Francisco, CA
The Rutgers University Fine Arts Collection, Brunswick, NJ
San Francisco Fine Arts Museums, San Francisco, CA
San Francisco Museum of Modern Art, San Francisco, CA
San Jose Museum Of Art, San Jose, CA
Yale University Art Gallery, New Haven, CT

Lectures And Residencies

2015
Artist Lecture: Squeak Carnwath, de Saisset Museum, Santa Clara University, Santa Clara, CA
Artist-in-residence and artist lecture, Lux Art Institute, Encinitas, CA

2014
Art Lecture Series, Mills College Art Museum, Oakland, CA

2013
Interdisciplinary Fine Arts Lecture, University of the Arts, Philadelphia, PA Fundraising Event: The Artists Are Present, Pro Arts, Oakland, CA
In Conversation: Squeak Carnwath, San Jose State University, San Jose, CA

2012
Artist talk in the gallery, Melissa Morgan Fine Art, Palm Desert, CA
Gallery Talk: Squeak Carnwath on Vija Celmins’s Blackboard Tableau #1, SFMOMA, San Francisco, CA
Artist’s Panel: Choose Paint! Choose Abstraction! Discussion moderated by Mark Dean Johnson with artists Squeak Carnwath, Dewey Crumpler, Mike Hendersen, Mary Loveless O’Neal and Leslie K. Price, Museum of the African Diaspora, San Francisco, CA

2011
Artist talk in the gallery, Gail Severn Gallery, Ketcham, ID
Artist talk in the gallery, San Francisco Museum of Modern Art, San Francisco, CA Informal Artist’s Talks, Oakland Museum of California, Oakland, CA
Public Conversation with Jan Wurm, Berkeley Art Center, Berkeley, CA

2010
Public Conversation with Richard Whittaker: Robert Brady, Squeak Carnwath, and Gale Wagner, Berkeley Art Center, Berkeley, CA
Fall Lecture Series: Squeak Carnwath in Conversation with Jan Wurm, Berkeley Art Center, Berkeley, CA

2009
Public Conversation with Carrie Lederer, Oakland Museum of California, Oakland, CA
Walk-Through with Karen Tsugimoto, Oakland Museum of California Art Guild Tour, Oakland Museum of California, Oakland, CA

2008
Interview by Tim Anderson, Cuesta College, San Luis Obispo, CA Visiting Artist, Ox-Bow, Saugatuck, MI
Visiting Artist, University of Texas, Austin, TX

2007
Printmaking and Creativity, Panel Discussion, de Young Museum, San Francisco, CA Public Conversation, Texas State University San Marcos, San Marcos, TX
Public Conversation, Gail Severn Gallery, Ketchum, ID
Interview by Duane Slick, RISD, Providence, RI
Roy De Forest Remembered, University of California, Davis, CA

2006
Interview by Tom Wudl, Mendenhall Sobieski Gallery, Pasadena, CA
Visiting Artist, Island Press, and Interview by Students, Washington University, St. Louis, MO
Public Conversation, Nielsen Gallery, Boston, MA

2005
Artist/Teacher/Artist, Panel Discussion, Sonoma Valley Museum of Art, Sonoma, CA Public Lecture, di Rosa Preserve, Napa, CA
A Conversation with Tandem Press Visiting Artist Squeak Carnwath, Chazen Museum of Art, University of Wisconsin, Madison, WI

2004
Visual Arts as Research, Panel Discussion, The Arts Research Center at UC Berkeley, CA
Public Lecture, Scripps College, Claremont, CA
Visiting Artist and Public Lecture, Kenyon College, Gambier, OH Public Lecture, Oakland Art Gallery, Oakland, CA

2003
Public Lecture, Microsoft Artist Lecture Series 2003, Microsoft Silicon Valley Campus, Mountain View, CA
Artist-in-Residence and Public Lecture, Anderson Ranch, Aspen, CO
Visiting Artist and Public Lecture, Washington University, St. Louis, MO
Juror for Sonoma Creates Exhibition, Sonoma Valley Museum of Art, Sonoma, CA

2002
Artist Talk and Print Demonstration, San Jose Museum of Art, San Jose, CA Visiting Artist, Public Glass, San Francisco, CA
Public Lecture, City of Oakland Craft and Cultural Arts Gallery, Oakland, CA Visiting Artist and Public Lecture, Idyllwild Arts, Idyllwild, CA
Public Lecture, Site Santa Fe, Santa Fe, NM

2001
All Campus President’s Fellow, University of Nebraska, Lincoln, NE
Master Artist-in-Residence, Atlantic Center for the Arts, Smyrna Beach, FL
Distinguished Visiting Professorship in the Meadows School of Art at Southern Methodist University, Dallas, TX

2000
Visiting Artist and Public Lecture, Milwaukee Institute of Art & Design, Milwaukee, WI
Public Lecture, Sweeney Art Gallery, University of California, Riverside, CA

1999
Visiting Artist and Guest Juror for the 1999 Yozo Hamaguchi Scholarships in Printmaking, California College of Arts and Crafts, Oakland, CA
Visiting Artist and Public Lecture, University of Arkansas, Little Rock, AK Visiting Artist, Vermont Studio Center, Johnson, VT
Public Lecture, University of New Mexico, Albuquerque, NM
Visiting Artist, Santa Fe Art Institute, Santa Fe, NM

1998
Visiting Artist and Public Lecture, Yale University, New Haven, CT
Public Lecture, California Museum of Art, Luther Burbank Center, Santa Rosa, CA
Transformation: The Art of Joan Brown, Panel Discussion with Jaqueline Bass, and Karen Tsujimoto, Berkeley Art Museum. Berkeley, CA

1997
Drawing: Different Perspectives, Yale School of Art , New Haven, CT
Seminar Lecture, University of Wisconsin, Madison, WI
Public Lecture, Elvehjem Museum, University of Wisconsin, Madison, WI

1996
A Discussion Of The Work of Louise Bourgeois, The Berkeley Salon: Friends of
Women in the Arts, University Art Museum and Pacific Film Archives, Berkeley, CA
Public Lecture, The Arts Council of Napa Valley, Napa, CA
Public Lecture, Williams College, Williamstown, MA
Public Lecture, The Artship Foundation, Oakland, CA
Public Lecture, Pennsylvania Academy of the Fine Arts, Philadelphia, PA

1995
Public Lecture, Kansas University Art and Design, Lawrence, KS
Public Lecture, Hanes Art Center, University of North Carolina, Chapel Hill, NC
The Invisible Museum, San Francisco Museum of Modern Art, San Francisco, CA
Public Lecture, Seigfred Gallery, Ohio University School of Art, Athens OH
The Professional Artist: Professional Practices, University of Minnesota,
Minneapolis, MN

1994
Public Lecture, The Chrysler Museum, Norfolk, VA
Public Lecture, Clatsop Community College, Astoria, OR
Artist-in-residence, Pilchuck Glass School, Seattle, WA
Public Lecture, San Jose Museum of Art, San Jose, CA
Fireside Chats: SECA Members In Discussion With Artists And Art Professionals,
San Francisco Museum of Modern Art, San Francisco, CA
Public Lecture, University of Hawaii at Manoa, HI

1993
Theory and Criticism, seminar, Department of Art, University of California,
Berkeley, CA
What are the Politics of Painting, Panel Discussion, Persistence of Painting Forum
Symposium, California College of Arts & Crafts, Oakland, CA
Uncertain Ground: The Artist in America Society, Panel Discussion, San Francisco
Art Institute, San Francisco, CA

1992
Department of Art, University of Arizona, Tucson, AZ
Altered States – Alternate Worlds, Symposium on Outsider Art, Creative Growth
Art Center at Oakland Museum, Oakland, CA
Contemporary Collectors Circle, Stanford Museum of Art, Stanford University, Stanford, CA
Lecture and Panel Discussion, Artists’ Day, Monterey Peninsula Museum of Art,
Monterey Bay, CA
Art in Discussion, LA Art Fair, Los Angeles, CA
Squeak Carnwath on Joan Brown, Talks by Nine Artists, University Art Museum,
University of California, Berkeley, October 11

1991
Special Tribute to Jay DeFeo, University Art Museum, UC Berkeley, Berkeley, CA
Artist-in-residence, Anderson Ranch, Aspen, CO

1990
UC Davis: Survey of Its Impact on the Arts, Guest Speaker, Modern Art Council,
San Francisco Museum of Modern Art, San Francisco, CA
The Artist’s Career: How It Happens, Issues in Contemporary Art Seminar Series, San Francisco Art Dealers Association, San Francisco, CA

1988
Issues in Today’s Art World, Symposium, Saint Mary’s College, Hearst Art
Gallery, Moraga, CA

1987
Lecture & Workshop, Allied Arts Council of Yakima Valley, Yakima, WA
Painting Seminar, Mills College, Oakland, CA

1986
Painting & Sculpture Series, California College of Arts & Crafts, Oakland, CA
The Art Museum of Santa Cruz, Santa Cruz, CA

1985
Women’s Art: Is there a Difference,”Panel Discussion, John Pence Gallery,
San Francisco, CA
Alliance of Independent Colleges of Art, New York Studio Program,
Washington, D.C., November

Bibliography

Selected Books

Albright, Thomas. Art in the San Francisco Bay Area, 1945–1980. Berkeley and Los Angeles: University of California Press, 1985. P. 266.

Bullis, Douglas. 100 Artists of the West Coast. Atglen, Pennsylvania: Schiffer Publishing Ltd, 2003. Pp. 76-77. ISBN 0-7643-1931-0.

Byrne, Chris. The Original Print. Madison, Wisconsin: Guild Publishing, 2002. P. 6. ISBN 1- 893164-14-4.

Carnwath, Squeak. Squeak Carnwath: Lists, Observations & Counting. San Francisco: Chronicle Books, 1996, ISBN 0-8118-1220-0. – ISBN 0-8118-1171-9 (pbk.)

Carnwath, Squeak. Squeak Carnwath: Horizon on Fire, Works on Paper 1979-2013. Berkeley: Kelly’s Cove Press, 2014, ISBN 978-0-9891664-2-3 (pbk.)

di Rosa, Rene. Local Color: The di Rosa Collection of Contemporary Art. San Francisco: Chronicle Books, 1999. Pp. 68-69, ISBN 08118-2376-8. -ISBN 08118-2377-10 (pbk.)

Dustin Wall Moure, Nancy. California Art: 450 Years Of Painting & Other Media. Los Angeles: Dustin Publications, 1998. P. 517. ISBN 0–9614622-4-8. -ISBN 0-9614622-5-6. (pbk.)

Gamblin, Noriko. “Squeak Carnwath”, in Noriko Gamblin and Karen Jacobson, ed., Flintridge Foundation Awards for Visual Artists. Pasadena, California: Flintridge Foundation, 2002. Pp. 12-15. ISBN 0-9664721-2-8.

Held Audette, Anna. “24-Hour Drawing,” in Anna Held Audette , ed., 100 Creative Drawing Ideas. Boston & London: Shambhala, 2004. Pp. 102-103. ISBN 1-59030-105-6.

Johnstone, Mark and Leslie Aboud Holzman. Epicenter San Francisco Bay Area Art Now. San Francisco: Chronicle Books, 2002. Pp. 34-39. ISBN 0-8118-3541-3.

Landauer, Susan. Selections, The San Jose Museum of Art Permanent Collection. San Jose, California: The San Jose Museum of Art, 2004. Pp. 50-51. ISBN 0-938175-33-5.

Nugent, Bob. Foreword by Donald Kuspit. Imagery Art for Wine. San Francisco: The Wine Appreciation Guild, 2006. Pp. 36-37. ISBN 1-891267-92-2.

Rosenberg, Randy Jayne, et al. The Missing Peace Artists & the Dalai Lama. San Rafael, California: Earth Aware, 2006. Pp. 144-145, 164. ISBN 1-932771-92-1. (Tokyo 2008 edition in Japanese.)

Tsujimoto, Karen. “Artistic Harvest,” in Abby Wasserman, ed., The Spirit of Oakland. Carlsbad, CA: Heritage Media Corp., 2000. P. 55. ISBN 1-886-483-36-1.

Tsujimoto, Karen and John Yau. Squeak Carnwath: Painting Is No Ordinary Object. Petaluma, CA: Pomegranate and Oakland, CA: Oakland Museum of California, 2009. ISBN 978-0-7649-4888-6. — ISBN 978-0-7649-4917-3 (pbk.)

Walrod, Anne. “Squeak Carnwath” Connecting Conversations, Interviews with 28 Bay Area Women Artists, Moira Roth, ed., Eucalyptus Press, Mills College, 1988. Pp. 22 – 28

Whittaker, Richard. “Squeak Carnwath,” in The Conversations Interviews with Sixteen Contemporary Artists. Whale and Star, 2007. Pp. 36-47. ISBN 978-0-9673608-8-1.

Catalogues and Brochures

Allene Lapides Gallery. Squeak Carnwath: Selections From The Studio. Essay by Douglas Maxwell. Santa Fe: Allene Lapides Gallery, 2002. 9 color plates.

Anderson Gallery of Graphic Art. Celebrating a Centennial: Contemporary Printmakers at CCA. Fine Arts Museums of San Francisco, de Young, 2007. 1 color plate, p. 3.

Anderson Ranch Arts Center. ARAC @ AAM: Anderson Ranch Arts Center At The Aspen Art Museum. Introduction by Hunter O’Hanian. Aspen, CO, 2008. 1 color plate, p. 7.

Art In Embassies Program. The Art In Embassies Exhibition For The Residence Of The United States Ambassador To Luxembourg. Introduction by James C. Hormel, United States Ambassador to Luxembourg. N.D. (circa 2000). 1 color plate, p. 3.

ArtScene. Continuing and Upcoming: Squeak Carnwath. Vol. 15, No. 4, December 1995, pp. 15-16.

Bank of America. Equations: The Paintings of Squeak Carnwath. Essay by Leah Levy.
San Francisco, CA: Plaza Gallery, 1995. 2 color plates.

Bank of America. Women in Print: Recent Prints by Women Artists. Essay by Bonnie Earls-Solari. San Francisco, CA, 1998. 1 color plate, p. 3.

Bedford Gallery at the Lesher Center for the Arts. Story Painters. Statement by Curator Carrie Lederer. Walnut Creek, CA, 2010. 5 color plates, pp. 4-8.

California College of the Arts. Artists of Invention A Century of CCA. San Francisco, CA, 2007. 1 color plate, p. 64. ISBN 978-0-97535-7.

California Museum of Art. Squeak Carnwath: Seeing in the Dark. Essay by Gay Shelton. Santa Rosa, CA: Luther Burbank Center for the Arts, 1998. 6 black & white plates.

Carrie Secrist Gallery. Bluer. Chicago: Carrie Secrist Gallery, 2000. 1 color plate, p. 52.

David Beitzel Gallery. Squeak Carnwath. Essay by Maria Porges. New York: David Beitzel Gallery, 1998. 8 color plates.

di Rosa Preserve: Art & Nature. The True Artist is an Amazing Luminous Fountain, Selected Works from the di Rosa Preserve: Art & Nature. Essay by Jack Rasmussen. Napa, CA: di Rosa Preserve: Art & Nature, 2004. 1 color plate, p. 36.

Dorothy Goldeen Gallery. Squeak Carnwath. Essay by Mark Levy. Santa Monica: Dorothy Goldeen Gallery, 1991. 8 color plates and 3 black & white plates.

Dorothy Goldeen Gallery. Squeak Carnwath: Inside Thought. Essay by Leah Levy. Santa Monica: Dorothy Goldeen Gallery, 1995. 4 color plates and 3 black & white plates.

Ewing Gallery of Art and Archtecture at University of Tennessee. Multiple X Multiple: A Survey of Contemporary Print Media. Essays by University of Tennessee, Knoxville graduate students, 2009. 1 color plate, p. 5.

Fine Arts Museums of San Francisco. Bay Area Art: From the Morgan Flagg Collection. Essay by Timothy Anglin Burgard. San Francisco: Fine Arts Museums of San Francisco, 1997. 1 color plate, p.20.

Hallie Ford Museum of Art at Willamette University. Women’s Work Contemporary Women Printmakers from the Collections of Jordan D. Schnitzer and his family foundations. Essay by Robin Reisenfeld, 2007. 1 color plate p. 4.

Hearts in San Francisco. Hearts in San Francisco. Essay by Alyson Kuhn. San Francisco: Hearts of San Francisco, 2004. 1 color plate p. 51. ISBN: 0-9763989-0-7.

Jane Voorhees Zimmerli Art Museum, Rutgers, The State University of New Jersey. Evolving Forms/Emerging Faces, 1997. 1 black & white plate, p. 26.

John Berggruen Gallery. Squeak Carnwath: Recent Paintings. San Francisco: John Berggruen Gallery, 1991. 8 color plates.

John Berggruen Gallery. Squeak Carnwath. San Francisco: John Berggruen Gallery, 1994. 12 color plates.

John Berggruen Gallery. Squeak Carnwath: Relative. Essay by Jamie Brunson, San Francisco: John Berggruen Gallery, 1997. 16 color plates.

John Berggruen Gallery. Squeak Carnwath: Undraped Human Being. Essay by Pauline Shaver, San Francisco: John Berggruen Gallery, 1998. 12 color plates.

John Berggruen Gallery. Squeak Carnwath: Life Line. Squeak Carnwath in Conversation with Richard Whittaker, San Francisco: John Berggruen Gallery, 2001. 11 color plates.

John Berggruen Gallery. Squeak Carnwath: Paper Trail. San Francisco: John Berggruen Gallery, 2003. 5 color plates.

Kenyon College Olin Art Gallery. Squeak Carnwath Being Human: Paintings & Prints, 1998 – 2004. Essay by Dan Younger, Gambier, OH, 2004. 4 color plates.

Museum of Contemporary Art. Squeak Carnwath: The Amness of Things. Essay by Juan Rodriguez, Lake Worth: Museum of Contemporary Art, 1999. 8 color plates.

National Academy Museum & School of Fine Arts. The 183rd Annual: An Invitational Exhibition of Contemporary American Art. New York, NY, 2008. 1 color plate, p. 29.

National Council on Education for the Ceramic Arts. NCECA: San Jose 82. Alfred, New York, 1982. 1 black & white plate, p. 88.

Nevada Art Museum. The Art of Collaborative Printmaking: Smith Andersen Editions. Essays by Diane Deming, Hilarie Faberman, Steven High, Paula Z. Kirkeby, Reno: Nevada Art Museum, 1998. 1 color plate p. 8.

Palm Beach Institute of Contemporary Art. Squeak Carnwath: The Am-ness of Things. Essay by Juan Rodriguez, Lake Worth: Palm Beach Institute of Contemporary Art, 1999. 8 color plates.

Palo Alto Art Center. By Design: Art & Wine, The Benziger Imagery Series. Essay by Signe Mayfield, Palo Alto, 1999.

Richmond Art Center. Bay Area Drawing: B.A.D. at R.A.C. Essay by Robert Tomlinson, Richmond: Richmond Art Center, 1987. 1 black & white plate, p.9.

Richmond Memorial Civic Center. Revitalization Project Public Art Program: Interior Fine Art Collection. 2009. 1 color plate, p. 70.

Robert Mondavi Winery. UC Davis Artists from the Collections of Jordan D. Schnitzer and his family foundation. Essay by Renny Pritikin, Napa, CA, 2008. 1 color plate, p. 2.

San Francisco Art Institute in association with A. T. Kearney’s Vision Program. Material Transformation. Spring 2000. Pp. 22 – 23; 1 color plate, p.22.

San Francisco Museum of Modern Art. SECA Art Award 1980. Sponsored by Society for the Encouragement of Contemporary Art (SECA) of the San Francisco Museum of Modern Art, 1980. Pp. 4 – 7.

San Jose Museum Of Art. Into The 21st Century. Essays by Cathy Kimball, Patricia Hicks, and Karen Kienzle, San Jose, San Jose Museum of Art, 1999. 1 color plate, p.21.

San Jose Museum Of Art. First Impressions: The Paulson Press. San Jose, San Jose Museum Of Art, 2001.

Scripps College. Reading Meaning: Word and Symbol in the Art of Squeak Carnwath, Lesley Dill, Leslie Enders Lee, and Anne Siems. Essay by Margaret Mathews-Berenson, Guest Curator, Ruth Chandler Williamson Gallery, Scripps College, Claremont, CA, 2004. 4 color plates, pp. 36-40.

Sheppard Pratt. Art from The Collection of Sheppard Pratt. Introduction by Diana L. Ramsay, Executive Vice President and Chief Operating Officer, Sheppard Pratt Health System, Towson, MD, 2005. 1 color plate, p.21.

Stanford University Museum of Art. Hine Editions / Limestone Press The Archive at the Stanford University Museum of Art. Essay by Hilarie Faberman, Robert M. and Ruth L. Halperin Curator of Contemporary Art, Stanford University Museum of Art, Stanford, CA, 1994, pp. 27-29. ISBN: 0- 937931-03-8.

Sweeney Art Gallery. Squeak Carnwath: Selected Works. Essay by Karen Rapp, Assistant Director, Sweeney Art Gallery, University of California, Riverside, 2000. 5 color plates.

Tayloe Piggott Gallery. Lucky Dog. Tayloe Piggott Gallery, Jackson Hole, WY, 2015. 13 color plates.

The Chrysler Museum. Squeak Carnwath. Essay by Trinkett Clark, The Chrysler Museum, Norfolk, VA, 1994. 5 color plates.

The Oakland Museum. Here and Now: Bay Area Masterworks From The di Rosa Collections. Essay by Philip Linhares, Chief Curator of Art, The Oakland Museum, Oakland, CA, 1994. 1 color plate, pp. 16-17.

Turner Carroll Gallery. Squeak Carnwath: A Little Light. Santa Fe, New Mexico: Turner Carroll Gallery, 2010. 8 color plates.

University Art Gallery. Squeak Carnwath: Eden In The Studio. Essay by Nina Zagaris, University Art Gallery, California State University, Stanislaus, Turlock, CA, 1995. 4 color plates.

Vermont Studio Center Press. A Catalog Of Prints Created By Distinguished Artists at Vermont Studio Center. Johnson, VT, 2000. 1 color plate, p. 7.

UVA/Fayerweather Gallery. Squeak Carnwath/selected paintings. Essay by R. Young, McIntire Department of Art, University of Virginia, Charlottesville, VA, 2001. 3 color plates.

Selected Articles, Essays, and Reviews

Ahlander, Leslie Judd. “Abstract Ideas and Landscapes Populate the Galleries.” The Miami News, December 18, 1987.

Albers, Patricia. “Deeper by the Dozen.” San Jose Metro, October 6–12, 1988.

Albright, Thomas. “Arts Festival Pizza and Quiche.” San Francisco Chronicle, June 25, 1983, p. 35.

“Emerging, Diverging and Submerging at Oakland Museum.” San Francisco Chronicle, October 26, 1982, p. 40.

“Imagism and a New Look.” San Francisco Chronicle, March 8, 1982, p. 40.

“Landscapes & Figures: Distant from Reality.” San Francisco Chronicle, July 17, 1984, pp. 12–13.

“Modest Magic, Conventionalized Personalism.” San Francisco Chronicle, September 1, 1980, p. 41.

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