Biography

Selected Works / Exhibitions / Biography / Available Inventory

Squeak Carnwath
Born: 1947, Abington Pennsylvania

Education

1977 California College of Arts and Crafts, Oakland, M.F.A.
1970-71 California College of Arts and Crafts, Oakland
1969-70 Goddard College, Plainfield Vermont

Awards and Honors

1998
Modern Master, Museum of Art and the Environment, Marin, CA

1996
The Alma B.C. Schapiro Residency for a Woman Painter, Yaddo, Saratoga Springs, NY
“Hometown Heroes, Oakland Artists Who Have Made a Difference,” Office of the Mayor, Oakland, CA

1994
Guggenheim Fellowship

1992
The Rosenkranz Family Fellowship, Djerassi Resident Artists Program, Woodside, CA

1990
Alice Baber Art Award
University of California, Davis, Faculty Research Award

1989
University of California, Davis, Faculty Research Award

1987
University of California, Davis, Faculty Research Award
University of California, Davis, Faculty Summer Fellowship

1986
University of California, Davis, Faculty Research Award

1985
National Endowment for the Arts, Individual Artist Fellowship
University of California, Davis, Faculty Research Award

1980
National Endowment for the Arts, Individual Artist Fellowship
Society for the Encouragement of Contemporary Art of the San Francisco Museum of Modern Art (SECA), Award in Art

Teaching

1998- Professor in Residence, Department of Art Practice, University of California, Berkeley

1983-98 Professor of Art, University of California, Davis

1993-94 Visiting Professor & Associate Dean, School of Fine Arts, California College of Arts and Crafts, Oakland

1982-83 Visiting Artist, University of California, Berkeley

1982 Guest Artist, California College of Arts and Crafts, Oakland

1980-82 Shopmaster (ceramics), California College of Arts and Crafts, Oakland

1979 Guest Artist, California College of Arts and Crafts, Oakland

1978 Instructor, Ohlone College, Fremont CA
Instructor, California College of Arts and Crafts, Oakland

1977-78 Guest Artist, California College of Arts Crafts, Oakland
Community Artist, Neighborhood Arts Program, Alameda County

1976 Teaching Assistant (ceramics), California College of Arts and Crafts, Oakland

1971 Teaching Assistant (ceramics) for Vernon Coykendahl, California College of Arts and Crafts, Oakland

Solo Exhibitions (* indicates exhibition catalogue or brochure was published)

2002
Still Happy: Paintings and prints by Squeak Carnwath, Craft & Cultural Arts, Oakland, CA

2001
Squeak Carnwath: selected paintings, Fayerweather Gallery, University of Virginia, Charolettesville, VA
Squeak Carnwath, John Berggruen Gallery, San Francisco, CA
Squeak Carnwath, James Harris Gallery, Seattle, WA

2000
Squeak Carnwath: Talking Pictures, David Beitzel Gallery, New York, NY
Squeak Carnwath, Sweeney Art Gallery, U. C. Riverside, CA*

1999
Squeak Carnwath: The Am-ness of Things, Museum of Contemporary Art, Lake Worth, FL*
Squeak Carnwath: Paintings, Gallery A, Chicago, IL
Squeak Carnwath: Stories, Byron Cohen Gallery, Kansas City, MO
Squeak Carnwath: New Color Etchings, Paulson Press, Emeryville, CA
Squeak Carnwath: Paintings, Allene Lapides Gallery, Santa Fe, New Mexico
Squeak Carnwath: Tamarind Collector’s Club Print, Albuquerque, NM

1998
David Beitzel Gallery, New York, NY*
Squeak Carnwath: Seeing in the Dark, California Museum of Art, Luther Burbank Center for the Arts, Santa Rosa, CA*
Squeak Carnwath: Undraped Human Being, John Berggruen Gallery, San Francisco, CA*

1997
Cohen Berkowitz Gallery, Kansas City, MO

1996
Relative, John Berggruen Gallery, San Francisco, CA*
David Beitzel Gallery, New York, NY

1995
Dorothy Goldeen Gallery, Santa Monica, CA*
Equations: The Paintings of Squeak Carnwath, Bank of America World Headquarters, San Francisco, CA*
Ohio University Art Gallery, Athens, OH
Squeak Carnwath: Eden In The Studio, University Art Gallery, California State University, Stanislaus, Turlock, CA*

1994
Chrysler Museum, Norfolk, VA*
O.K. Harris/David Klein Gallery, Birmingham, MI
San Jose Museum of Art, San Jose, CA*
Dorothy Goldeen Gallery, Marina Del Rey, CA
John Berggruen Gallery, San Francisco, CA*
Cohen Berkowitz Gallery, Kansas City, MO
The Contemporary Museum, HI*

1993
LedisFlam Gallery, New York, NY

1992
Dorothy Goldeen Gallery, Santa Monica, CA
Squeak Carnwath: Recent Work, Monterey Peninsula Museum of Art, Monterey, CA

1991
Squeak Carnwath: Works on Paper and Prints, Shea & Beker, New York, NY
John Berggruen Gallery, San Francisco, CA*
Dorothy Goldeen Gallery, Santa Monica, CA*

1990
Shea & Beker, New York, NY
Squeak Carnwath: Nature’s Alchemy, San Diego State University Gallery, San Diego, CA

1989
John Berggruen Gallery, San Francisco, CA
Dorothy Goldeen Gallery, Santa Monica, CA
Marilyn Butler Fine Art, Scottsdale, AZ

1988
Fuller Gross Gallery, San Francisco, CA

1987
Gloria Luria Gallery, Miami, FL
Marilyn Butler Fine Art, Scottsdale, AZ
Davis Art Center, Davis, CA

1986
Van Straaten Gallery, Chicago, IL
Fuller Goldeen Gallery, San Francisco, CA

1985
Nelson Gallery, University of California, Davis, CA
Van Straaten Gallery, Chicago, IL

1984
Getler/Pall/Saper Gallery, New York, NY
Fuller Goldeen Gallery, San Francisco, CA

1983
Palo Alto Cultural Center, Palo Alto, CA
Brentwood Gallery, St. Louis, MO

1982
Hansen Fuller Goldeen Gallery, San Francisco, CA

1980
Society for the Encouragement of Contemporary Art (SECA) Award 1980, San Francisco Museum of Modern Art, San Francisco, CA*

1978
San Francisco Art Commission Gallery, San Francisco, CA

1975
Richmond Art Center, Richmond, CA

1971
Salon D’Art, Oakland, CA

Group Exhibitions (* indicates exhibition catalogue or brochure was published)

2001
First Impressions: The Paulson Press, San Jose Museum Of Art, San Jose, CA*

2000
Presence: Figurative Work In All Media By NIAD Artists With Special Guest
Artists — Michael Carey and Squeak Carnwath, National Institute of Art and Disabilities Art Center, Richmond, CA
Yellow: The First Color, Bedford Gallery Dean Lesher Regional Center For The
Arts, Walnut Creek, CA
Boom Boom: University of California at Berkeley, Art Faculty, Worth Ryder Gallery, Kroeber Hall, Berkeley, CA
Visions: Material Transformations, San Francisco Art Institute in association with A. T. Kearney, San Francisco, CA
Summer In The City: Major Paintings, Drawings and Sculpture, John Berggruen Gallery, San Francisco, CA
Summer Group Exhibtion, David Beitzel Gallery, New York, New York
Imagery Series: Ongoing Original Wine Label Art, Including Work By Robert Arneson, Squeak Carnwath, William Wiley, Nancy Graces, Pat Steir, Sol LeWitt and Others, Benziger Family Winery, Glen Allen, CA
Marks and Conversions: The Graphic Works of Judy Pfaff and Squeak Carnwath, Milwaukee Institute of Art Design, Layton Gallery, Milwaukee, WI
Bluer, Carrie Secrist Gallery, Chicago, IL

2000
Six Painters: James Barsness, Squeak carnwath, Willy Heeks, Hung Liu, Katherine Sherwood, Barbara Vos, University Art Gallery, Sonoma State University, Sonoma, CA

1999
University of California at Berkeley, Annual Art Faculty Exhibition, Worth Ryder Gallery, Kroeber Hall, Berkeley, CA
Into The 21st Century: Selections from the Permanent Collection, San Jose Museum of Art, San Jose, CA
The 23rd International Biennial Of Graphic Art, Congress Centre Cankarjev Dom and the Modern Gallery, Slovenia. Organized by the International Centre Of Graphic Art, the embassies of Argentina, Austria, Czech Republic, Croatia, Italy, Hungary, Germany, Poland, Slovak Republic, and Spain with the assistance of the Tamaind Institute.
Summer Group Exhibition, David Beitzel Gallery, New York, NY
Artists’ Pages: Djerassi Resident Artists Program, Palo Alto Art Center, Palo Alto, CA
The Painted Canvas, John Berggruen Gallery, San Francisco, CA
Outward Bound: American Art at the Brink of the Twenty-First Century, Meridian International Center, White-Meyer Galleries, Washington, DC (traveled to: The Museum of Fine Arts, Hanoi, Vietnam; The Museum of Fine Arts, Ho Chi Minh City, Vietnam; The Painting Institute, Shanghai, China; The Working People’s Cultural Palace, Bejing, China; The Singapore Museum of Art, Singapore; The CIPTA Gallery, Jakarta Arts Center, Jakarta, Indonesia)
Sudden Incandescence, Bemis Center For Contemporary Arts, Omaha, NE
Acquisitions, John Berggruen Gallery, San Francisco, CA

1998
Knowing Children, David Beitzel Gallery, New York, NY, June 19 – July 31, 1998.
Wild Things: Artists’ Views of the Animal World, John Berggruen Gallery, San Francisco, CA
Prints From Paulson Press: Radcliffe Bailey, Christopher Brown, Steve Briscoe, Squeak Carnwath, Caio Fonseca, Hung Liu, Deborah Oropallo, Traywick Gallery, Berkeley, CA
Smith Andersen and the Art of Collaborative Printmaking, Nevada Museum of Art, Reno, NV
More Than Clay: The Toki Collection Of Ceramics, Richmond Art Center, Richmond, CA
Founders’ Day Alumni Reunion, Art Program BankAmerica Corporation, San Francisco, CA
The Collectors Gallery Presents: Prints From Magnolia Editions, Oakland Museum of California, Oakland, CA
The Written Word: Text In Art, Cumberland Gallery, Nashville, TN
Women In Print: Recent Prints by Women Artists, California College of Arts and Crafts, Oakland, CA

1997
Seduced by Surface: Eight Bay Area Painters, University Art Gallery at U.C.,
San Diego, CA
Book As Art, 251 Gallery, San Francisco, CA
The Magic of Numbers, Staatsgalerie Stuttgart, Stuttgart, Germany*
Anatomy of a Print, Bedford Gallery, Walnut Creek, CA
The Permanent Collection 1997: Recent Acquisitions, San Jose Museum of Art,
San Jose, CA
Evolving Forms/Emerging Faces, Jane Voorhees Zimmerli Art Museum, Rutgers, The State University of New Jersey, New Brunswick, NJ.
A Thought Intercepted, California Museum Of Art, Luther Burbank Center for the
Arts, Santa Rosa, CA
On The Rim, Transamerica Pyramid, San Francisco, CA
An Exhibition of Works from John Berggruen Gallery, San Francisco, Friesen Gallery, Ketchum, ID
The Numbers Game, The St. Paul Companies, Minneapolis, MN
Bay Area Art from the Morgan Flagg Collection, Fine Arts Museums of San Francisco – M.H. de Young Memorial Museum, San Francisco, CA*

1996
Almost Alchemy, Transamerica Corporation. San Francisco, CA*
RE-IN-CAR-NATION, Oakland Museum of California, Oakland, CA
CCAC: Past, Present, and Future, California College of Arts and Crafts, Oakland, CA
July 1996, David Beitzel Gallery, New York, NY
Generations: The Lineage of Influence in Bay Area Art, Richmond Art Center, Richmond, CA
UC Art Faculty Exhibition at Blake House, University Art Gallery, University of California, Kennsington, CA*
A Collaboration: John Berggruen Gallery at Friesen Gallery, Ketchum, ID
48th Annual American Academy Purchase Exhibition, The American Academy of Arts and Letters, New York, NY.
Art At UC Davis: Selected Works of Faculty and Alumni From the Richard L. Nelson Gallery and The Fine Arts Collection, Shasta College Art Gallery, Redding, CA

1995
Objects of Desire, John Berggruen Gallery, San Francisco, CA
Mednarodni Graficni Bienal, International Biennial of Graphic Art, Ljubljana, Slovenia
Old Glory, New Story: Flagging the 21st Century, Capp Street Project, San Francisco, CA
Small Works, Stephen Haller Gallery, New York, NY
John Berggruen Gallery Twenty-five Years, John Berggruen Gallery, San Francisco, CA
Abstraction, The Bermuda National Gallery, Hamilton, Bermuda

1994
Here and Now: Bay Area Masterworks from the di Rosa Collections, The Oakland Museum, Oakland, CA*
American Art Today: Heads Only, The Art Museum at Florida International University, Miami, FL*

1993
The Intimate Collaboration: Prints from Teaberry Press, University Art Museum, Berkeley, CA (traveling)
Recent Acquisitions, John Berggruen Gallery, San Francisco, CA
Six Easy Pieces, Palo Alto Cutlural Center, Palo Alto, CA
The Pet Show, Benefit for P.O.W.A.R.S., Helander Gallery, New York, NY

1992
ART CONTACT, March 18 – April 15, Central Exhibition Hall, St. Petersburg, Russia*
Fine Arts Presses, City Hall, Civic Center, San Francisco, CA
New Editions 1991–1992, Alice Simsar Gallery, Ann Arbor, MI
Contemporary Uses of Wax & Encaustic, Palo Alto Cultural Center, Palo Alto, CA
Professor’s Choice, Pomona College, Claremont, CA
West Comes East, Ellen Miller/Katie Block Fine Art, Boston, MA
Voices, Shea & Bornstein, Santa Monica, CA
Beyond Just Words: I, Modernism, San Francisco, CA
44th Annual Purchase Exhibition, American Academy and Institute of Arts and Letters, New York, NY

1991
Herstory: Narrative Art by Contemporary California Artists, The Oakland Museum, Oakland, CA*
Small Format Works on Paper, John Berggruen Gallery, San Francisco, CA
Large Scale Works on Paper, John Berggruen Gallery, San Francisco, CA*
Monochrome, Dorothy Goldeen Gallery, Santa Monica, CA
Professor’s Choice, Lang Gallery, Scripps College, Galleries of the Claremont Colleges, Claremont, CA

1991
Do You Hear What I’m Saying?, TransAmerica Building, San Francisco, CA
Freehand Drawing Loosely Defined, Euphrat Gallery, De Anza College, Cupertino, CA

1990
Oakland Artists, The Oakland Museum, Oakland, CA*
Woodblocks, Prints, Etchings, Dorothy Goldeen Gallery, Santa Monica, CA
The Painted Word, Richmond Art Center, Richmond, CA
Prints from Limestone, Simon James Gallery, Berkeley, CA

1989
Invitational Paintings, Shea & Beker, New York, NY
Four California Artists, Fay Gold Gallery, Atlanta, GA
Substance and Surface, Else Gallery, California State University, Sacramento, CA
A.C.D.H.H.H.J.N.P.P.S.T., Nelson Gallery, Department of Art, University of California, Davis
Alice Through the Looking-Glass, Bernice Steinbaum Gallery, New York, NY*

1988
Private Reserve, Dorothy Goldeen Gallery, Santa Monica, CA
Works on Paper: A Comprehensive Survey of Drawings and Watercolors, John Berggruen Gallery, San Francisco, CA*
Selected Acquisitions, John Berggruen Gallery, San Francisco, CA
Twelve Artists, Triton Museum of Art, Santa Clara, CA
Professor’s Choice III, Pomona College, Montgomery Gallery, Claremont, CA
Paintings and Sculpture by Candidates for Art Awards, American Academy and Institute of Arts and Letters, New York, NY
Narrative or Not, University Art Gallery, California State University at Hayward

1987
Bay Area Artists: Small Works Invitational, Janet Steinberg Gallery, San Francisco, CA
The Artists and the Myth, Monterey Peninsula Museum of Art, Monterey, CA
The House in Contemporary Art, University Art Gallery, California State University, Stanislaus, Turlock*
Diversity and Presence, University Art Gallery, University of California, Riverside (traveled)*
Viewing the Figure/Reflecting on the Self, Pritchard Art Gallery, University of Idaho, Moscow
Four Bay Area Artists, Nancy Hoffman Gallery, New York, NY
Bay Area Drawing, Richmond Art Center, Richmond CA*
Present Perspectives: 1975–1985, Fresno Arts Center and Museum, Fresno, CA
Under Currents, Portland Center for the Visual Arts, Portland, OR*
The Importance of Drawing, Fuller Goldeen Gallery, San Francisco, CA

1986
70′s into 80′s: Printmaking Now, Museum of Fine Arts, Boston, MA
Eccentric Drawing, Allan Frumkin Gallery, New York, NY
The Third Western States Biennial, Brooklyn Museum, Brooklyn, NY*
Van Straaten Gallery, Chicago, IL
Cal Collects, University Art Museum, University of California, Berkeley
Young American Artists IV, Mandeville Art Gallery, University of California, San Diego, La Jolla

1985
The Peaceable Kingdom, First Bank, Minneapolis, MN
The 20th Century: The San Francisco Museum of Modern Art Collection, San Francisco Museum of Modern Art, San Francisco, CA*
New Directions/California Painting 1985, Visual Art Center of Alaska, Anchorage (traveled throughout Alaska)*

1984
San Francisco Bay Area Painting, Sheldon Memorial Art Gallery, University of Nebraska, Lincoln, NB*
California, Bluxome Gallery, San Francisco, CA
Frumkin Struve Gallery, Chicago, IL
The Subject Is Object, Hearst Art Gallery, St. Mary’s College, Moraga, CA
Bay Area Connection: Figure Painting 1984, Primary Colors, Carmichael, CA
Modern Romances, Resse Bullen Gallery, California State University Humbolt, Arcata, CA (traveled to San Jose Institute of Contemporary Art, San Jose, CA)
Introducing Six, Virginia Miller Gallery, Coconut Grove, FL
Stars, Fuller Goldeen Gallery, San Francisco, CA
Highlights: Selections from the Bank of America Corporation Art Collection, Bank of America World Headquarters, San Francisco, CA

1983
Prints: Coast to Coast, Bruce Velick Gallery, San Francisco, CA
Bon à tirer, De Saisset Museum, University of Santa Clara, Santa Clara, CA
Elements Matter, Fuller Goldeen Gallery, San Francisco, CA
The Impolite Figure/New Figurative Painting by the Bay Area, Southern Exposure Gallery, San Francisco, CA*
de te Fabula Narratur, San Jose Institute of Contemporary Art, San Jose, CA
Resource/Reservoir, C.C.A.C.: 75 Years, San Francisco Museum of Modern Art, San Francisco, CA

1982
C.C.A.C. 75th Anniversary Exhibition, Richmond Art Center, Richmond CA
From the Sunny Side, The Oakland Museum, Oakland, CA
Emerging Northern California Artists, Orange County Center for Contemporary Art, Santa Ana, CA
Pacific Current/Ceramics 1982, San Jose Museum of Art, San Jose, CA*

1981
Paintings, University Galleries, California State University, Hayward, CA
The Figure: A Celebration, November 5 – 25, Art Museum of South Texas, Corpus Christi, TX (traveled to University of North Dakota Art Galleries, Grand Forks, ND)

1980
The Peaceable Kingdom, Hansen Fuller Gallery, San Francisco, CA
Leah Levy Gallery, San Francisco, CA

1979
Diablo Valley College of Arts and Crafts, Pleasant Hill, CA
Northern California Clay Routes: Sculpture Now, San Francisco Museum of Modern Art, San Francisco, CA*

1978
California College of Arts and Crafts, Oakland, CA
Three Installations, Capricorn Asunder, San Francisco Art Commission Gallery, San Francisco, CA
Mixed Media on Paper: 30 East Bay Women, Berkeley Art Center, Berkeley, CA*

1977
Security National Bank, Los Angeles, CA
Isabelle Percy West Gallery, California College of Arts and Crafts, Oakland, CA

1976
California College of Arts and Crafts, Oakland, CA
Chabot College, Hayward, CA

1974
Designer-Craftsman ’74, Richmond Art Center, Richmond, CA*
1974 Ceramics and Glass, The Oakland Museum, Oakland, CA*

1973
Both-Up Gallery, Berkeley, CA
Richmond Art Center, Richmond, CA
Walnut Creek Civic Arts Gallery, Walnut Creek, CA*

1972
Women U.S.A., June 2 – 25, Laguna Beach Museum of Art, Laguna Beach, CA

Public Art Commissions

COW-A-BUDDHA, CowParade New York 2000
Fly, Flight, Fugit, San Francisco Arts Commission: San Francisco International Airport

Selected Public and Corporate Collections

AirTouch Communications Collections, San Francisco, CA
American Academy of Arts and Letters, New York, NY
Arkansas Art Center, Little Rock, AR
BankAmerica Corporation Art Collection, San Francisco, CA
Barkley and Evergreen, Kansas City, MO
Benzinger Family Winery, Glen Allen, CA
Berkeley Art Museum, University of California, Berkeley
Bowdoin College Art Museum, Brunswick, ME
Brooklyn Museum, Brooklyn, NY
Capital Group, Los Angeles, CA
Chase Manhattan Bank, New York, NY
City and County of San Francisco, San Francisco Arts Commission, San Francisco, CA
The Contemporary Museum, Honolulu, HI
First Bank of Minneapolis, Minneapolis, MN
Hallmark Collection, Kansas City, MO
Jewish Museum San Francisco, San Francisco, CA
Microsoft Corporation, Redmond, WA
M.I.T., List Visual Art Center, Boston, MA
Richard L. Nelson Gallery and The Fine Arts Collection, University of California, Davis, CA
Oakland Museum Of California, Oakland, CA
Palm Springs Desert Museum, Palm Springs, CA
Persis Corporation, Honolulu, HI
Philip Morris Companies, Inc., New York, NY
Principal Financial Group, Des Moines, IA
Rene and Veronica di Rosa Collection, Napa, CA
Robertson, Stephens & Company, San Francisco, CA
The Rutgers University Fine Arts Collection, Brunswick, NJ
San Francisco Fine Arts Museums, San Francisco, CA
San Francisco Museum of Modern Art, San Francisco, CA
San Jose Museum Of Art, San Jose, CA
Yale University Art Gallery, New Haven, CT

Lectures And Residencies

2001
All Campus President’s Fellow, University of Nebraska, Lincoln, NE
Master Artist-in-Residence, Atlantic Center for the Arts, Smyrna Beach, FL
Distinguished Visiting Professorship in the Meadows School of Art at Southern Methodist University, Dallas, TX

2000
Visiting Artist and Public Lecture, Milwaukee Institute of Art & Design, Milwaukee, WI
Public Lecture, Sweeney Art Gallery, University of California, Riverside, CA

1999
Visiting Artist and Guest Juror for the 1999 Yozo Hamaguchi Scholarships in Printmaking, California College of Arts and Crafts, Oakland, CA
Visiting Artist and Public Lecture, University of Arkansas, Little Rock, AK Visiting Artist, Vermont Studio Center, Johnson, VT
Public Lecture, University of New Mexico, Albuquerque, NM
Visiting Artist, Santa Fe Art Institute, Santa Fe, NM

1998
Visiting Artist and Public Lecture, Yale University, New Haven, CT
Public Lecture, California Museum of Art, Luther Burbank Center, Santa Rosa, CA
Transformation: The Art of Joan Brown, Panel Discussion with Jaqueline Bass, and Karen Tsujimoto, Berkeley Art Museum. Berkeley, CA

1997
Drawing: Different Perspectives, Yale School of Art , New Haven, CT
Seminar Lecture, University of Wisconsin, Madison, WI
Public Lecture, Elvehjem Museum, University of Wisconsin, Madison, WI

1996
A Discussion Of The Work of Louise Bourgeois, The Berkeley Salon: Friends of
Women in the Arts, University Art Museum and Pacific Film Archives, Berkeley, CA
Public Lecture, The Arts Council of Napa Valley, Napa, CA
Public Lecture, Williams College, Williamstown, MA
Public Lecture, The Artship Foundation, Oakland, CA
Public Lecture, Pennsylvania Academy of the Fine Arts, Philadelphia, PA

1995
Public Lecture, Kansas University Art and Design, Lawrence, KS
Public Lecture, Hanes Art Center, University of North Carolina, Chapel Hill, NC
The Invisible Museum, San Francisco Museum of Modern Art, San Francisco, CA
Public Lecture, Seigfred Gallery, Ohio University School of Art, Athens OH
The Professional Artist: Professional Practices, University of Minnesota,
Minneapolis, MN

1994
Public Lecture, The Chrysler Museum, Norfolk, VA
Public Lecture, Clatsop Community College, Astoria, OR
Artist-in-residence, Pilchuck Glass School, Seattle, WA
Public Lecture, San Jose Museum of Art, San Jose, CA
Fireside Chats: SECA Members In Discussion With Artists And Art Professionals,
San Francisco Museum of Modern Art, San Francisco, CA
Public Lecture, University of Hawaii at Manoa, HI

1993
Theory and Criticism, seminar, Department of Art, University of California,
Berkeley, CA
What are the Politics of Painting, Panel Discussion, Persistence of Painting Forum
Symposium, California College of Arts & Crafts, Oakland, CA
Uncertain Ground: The Artist in America Society, Panel Discussion, San Francisco
Art Institute, San Francisco, CA

1992
Department of Art, University of Arizona, Tucson, AZ
Altered States – Alternate Worlds, Symposium on Outsider Art, Creative Growth
Art Center at Oakland Museum, Oakland, CA
Contemporary Collectors Circle, Stanford Museum of Art, Stanford University, Stanford, CA
Lecture and Panel Discussion, Artists’ Day, Monterey Peninsula Museum of Art,
Monterey Bay, CA
Art in Discussion, LA Art Fair, Los Angeles, CA
Squeak Carnwath on Joan Brown, Talks by Nine Artists, University Art Museum,
University of California, Berkeley, October 11

1991
Special Tribute to Jay DeFeo, University Art Museum, UC Berkeley, Berkeley, CA
Artist-in-residence, Anderson Ranch, Aspen, CO

1990
UC Davis: Survey of Its Impact on the Arts, Guest Speaker, Modern Art Council,
San Francisco Museum of Modern Art, San Francisco, CA
The Artist’s Career: How It Happens, Issues in Contemporary Art Seminar Series, San Francisco Art Dealers Association, San Francisco, CA

1988
Issues in Today’s Art World, Symposium, Saint Mary’s College, Hearst Art
Gallery, Moraga, CA

1987
Lecture & Workshop, Allied Arts Council of Yakima Valley, Yakima, WA
Painting Seminar, Mills College, Oakland, CA

1986
Painting & Sculpture Series, California College of Arts & Crafts, Oakland, CA
The Art Museum of Santa Cruz, Santa Cruz, CA

1985
Women’s Art: Is there a Difference,”Panel Discussion, John Pence Gallery,
San Francisco, CA
Alliance of Independent Colleges of Art, New York Studio Program,
Washington, D.C., November

Bibliography

Selected Books

Albright, Thomas. Art in the San Francisco Bay Area, 1945–1980. Berkeley and Los Angeles: University of California Press, 1985. P. 266.

Carnwath, Squeak. Squeak Carnwath: Lists, Observations & Counting. San Francisco: Chronicle Books, 1996, ISBN 0-8118-1220-0. – ISBN 0-8118-1171-9 (pbk.)

di Rosa, Rene. Local Color: The di Rosa Collection of Contemporary Art. San Francisco: Chronicle Books, 1999. Pp. 68-69, ISBN 08118-2376-8. -ISBN 08118-2377-10 (pbk.)

Dustin Wall Moure, Nancy. California Art: 450 Years Of Painting & Other Media. Los Angeles: Dustin Publications, 1998. P. 517. ISBN 0–9614622-4-8.
-ISBN 0-9614622-5-6. (pbk.)

Walrod, Anne. “Squeak Carnwath” Connecting Conversations, Interviews with 28 Bay Area Women Artists, Moira Roth, ed., Eucalyptus Press, Mills College, 1988. Pp. 22 – 28

Catalogues and Brochures

Bank of America. Equations: The Paintings of Squeak Carnwath. Essay by Leah Levy.
San Francisco, CA: Plaza Gallery, 1995. 2 color plates.

Bank of America. Women in Print: Recent Prints by Women Artists. Essay by Bonnie Earls-Solari. San Francisco, CA, 1998. 1 color plate, p. 3.

California Museum of Art. Squeak Carnwath: Seeing in the Dark. Essay by Gay Shelton. Santa Rosa, CA: Luther Burbank Center for the Arts, 1998. 6 black & white plates.

David Beitzel Gallery. Squeak Carnwath. Essay by Maria Porges. New York: David Beitzel Gallery, 1998. 8 color plates.

Dorothy Goldeen Gallery. Squeak Carnwath. Essay by Mark Levy. Santa Monica: Dorothy Goldeen Gallery, 1991. 8 color plates and 3 black & white plates.

Fine Arts Museums of San Francisco. Bay Area Art: From the Morgan Flagg Collection. Essay by Timothy Anglin Burgard. San Francisco: Fine Arts Museums of San Francisco, 1997. 1 color plate, p.20.

Jane Voorhees Zimmerli Art Museum, Rutgers, The State University of New Jersey. Evolving Forms/Emerging Faces, 1997. 1 black & white plate, p. 26.

John Berggruen Gallery. Squeak Carnwath: Recent Paintings. San Francisco: John Berggruen Gallery, 1991. 8 color plates.

John Berggruen Gallery. Squeak Carnwath. San Francisco: John Berggruen Gallery, 1994. 12 color plates.

John Berggruen Gallery. Squeak Carnwath: Relative. Essay by Jamie Brunson, San Francisco: John Berggruen Gallery, 1997. 16 color plates.

John Berggruen Gallery. Squeak Carnwath: Undraped Human Being. Essay by Pauline Shaver, San Francisco: John Berggruen Gallery, 1998. 12 color plates.

Museum of Contemporary Art. Squeak Carnwath: The Amness of Things. Essay by Juan Rodriguez, Lake Worth: Museum of Contemporary Art, 1999. 8 color plates.

Nevada Art Museum. The Art of Collaborative Printmaking: Smith Andersen Editions. Essays by Diane Deming, Hilarie Faberman, Steven High, Paula Z. Kirkeby, Reno: Nevada Art Museum, 1998. 1 color plate p. 8.

Palo Alto Art Center. By Design: Art & Wine, The Benziger Imagery Series. Essay by Signe Mayfield, Palo Alto, 1999.

Richmond Art Center. Bay Area Drawing: B.A.D. at R.A.C. Essay by Robert Tomlinson, Richmond: Richmond Art Center, 1987. 1 black & white plate, p.9.

San Francisco Art Institute in association with A. T. Kearney’s Vision Program. Material Transformation. Spring 2000. Pp. 22 – 23; 1 color plate, p.22.

San Francisco Museum of Modern Art. SECA Art Award 1980. Sponsored by Society for the Encouragement of Contemporary Art (SECA) of the San Francisco Museum of Modern Art, 1980. Pp. 4 – 7.

San Jose Museum Of Art. Into The 21st Century. Essays by Cathy Kimball, Patricia Hicks, and Karen Kienzle, San Jose, San Jose Museum of Art, 1999. 1 color plate, p.21.

San Jose Museum Of Art. First Impressions: The Paulson Press. San Jose, San Jose Museum Of Art, 2001.

Vermont Studio Center Press. A Catalog Of Prints Created By Distinguished Artists at Vermont Studio Center. Johnson, VT, 2000. 1 color plate, p. 7.

Selected Articles, Essays, and Reviews

Ahlander, Leslie Judd. “Abstract Ideas and Landscapes Populate the Galleries.” The Miami News, December 18, 1987.

Albers, Patricia. “Deeper by the Dozen.” San Jose Metro, October 6–12, 1988.

Albright, Thomas. “Arts Festival Pizza and Quiche.” San Francisco Chronicle, June 25, 1983, p. 35.

“Emerging, Diverging and Submerging at Oakland Museum.” San Francisco Chronicle, October 26, 1982, p. 40.

“Imagism and a New Look.” San Francisco Chronicle, March 8, 1982, p. 40.

“Landscapes & Figures: Distant from Reality.” San Francisco Chronicle, July 17, 1984, pp. 12–13.

“Modest Magic, Conventionalized Personalism.” San Francisco Chronicle, September 1, 1980, p. 41.

Allman, Paul. “Art Who?” New Vistas, February 15, 1975.

Anderson, Roger. “Oaklandish Art.” East Bay Express, June 22, 1990.

Annas, Teresa. “Art.” The Virginia-Pilot and The Ledger-Star, January 16, 1994, p. G12.

“Art at UCD.” UC Davis Magazine, Summer 1988.

“Artists Paint Own Views of California.” The Anchorage Times, September 22, 1985.

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