Takamori was a seminal figure in ceramic art, whose work over the past thirty years has left an enduring impact on the Pacific Northwest arts and the medium itself. His work is often autobiographical, drawing on his life in Japan, his family, and mythological themes. He is known for his coil-built figurative sculptures in which the narrative painting defines the form. Takamori explored themes of cultural identity by engaging the history of Eastern and Western aesthetics. Bold form and color defines his body of work, which is highly expressive of human emotion and sensuality.
Akio Takamori was born and raised in Japan. He has been exhibiting in the United States, Europe and Asia since the mid 1980s. Takamori received his BFA from the Kansas City Art Institute in 1976 and his MFA from the New York State College of Ceramics, Alfred University in 1978.
Takamori’s work is included in numerous collections including the Nelson-Atkins Museum of Art in Kansas City, Los Angels County Museum of Art, Victoria & Albert Museum in London, Ariana Museum in Geneva, the Seattle Art Museum, and the Museum of Arts and Design in New York City. He is the recipient of numerous awards, including three National Endowment for the Arts Visual Artists Fellowship Grants (1986, 1988, 1992), the Joan Mitchell Foundation Painters and Sculptors Grant (2006), and the USA Ford Fellowship (2011). Takamori was a professor of art at the University of Washington. He lived and worked in Seattle.
Hand-built, stoneware
34 x 11 x 12 in. and 6 x 27 x 10 1/2 in.
Private Collections
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Hand-built, porcelain, salt-fired
17 1/2in x 25in x 7in
Private Collection
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Hand-built, stoneware
53 x 23 x 17 in. and 42 x 32 x 17 in.
Private Collections
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Painted Cast aluminum sculptures
Collection Vulcan, Inc. Seattle, WA
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Stoneware with underglazes Detail view
Private Collection
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Stoneware with Underglaze
47 ½ x 16 x 11in. and 46 ¾ x 16 x 12 in.
Private Collection
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Stoneware with underglazes
38” x 25” x 16”
Private Collection, Seattle, WA
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Collection of Figures Hand-built, stoneware
Private Collection
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Stoneware with underglazes
14" x 26" x 20"
Collection of the Renwick Gallery, Smithsonian Institution, Washington, DC
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Ink on paper
40” x 32” unframed 42 ½” x 34 ½” framed
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Ink on paper
26 1/2" x 20 1/2" framed
Private Collection, Arlington, TX
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Stoneware with underglazes
41” x 21” x 16”
Private Collection, Seattle, WA
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Stoneware with underglazes
40” x 15” x 11”
Private Collection, San Francisco
Stoneware with underglazes
24" x 33" x 15"
Collection of the Renwick Gallery Smithsonian Institution, Washington, DC
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stoneware with under and overglazes
35 ½” x 16” x 23 ½”
Collection of the Seattle Art Museum
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Stoneware with underglazes
27” x 8 ½” x 7”
Private Collection
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Hand Built Porcelain, Salt Fired
31" x 17" x 8"
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Stoneware with underglazes
38" x 17" x 6"
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Stoneware with Underglazes
34" x 15" x 6"
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Lithograph & woodblock with chine colle Chine colle: unknown "Japanese" paper from an antique book of chants/songs from Japanese "Noh" plays
15 7/8" x 11 10/11"
Edition of 36
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Digital Inkjet print and hand lithography
23" x 31"
Edition of 45
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Sand cast glass with oil paint, concrete
4" x 14" x 7"
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Woodcut with chine colle
17.5" x 22.5"
Edition of 35
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Color Lithograph and chine colle
18.5" x 28.5" Image 24 3/4" x 33 1/2" paper size
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Archival ink jet and hand lithography on Somerset, Enhanced
Paper Size: 41 1/2" x 26" Image size 34 3/4" x 21 3/4"
Edition of 35
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Woodcut, lithography, chine colle
17.5" x 22.5"
Edition of 28
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Ink on paper
50” x 48” unframed 52 ½” x 40 ½” framed
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woodcut, lithography, chine colle
17 1/2" x 22 1/2"
Edition of 28
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Copper plate etching
11 1/2" x 13"
Edition of 10
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Ink drawing, Japanese ledger book paper
17 3/4" x 11 3/4"
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Lithograph and archival pigment print
22 1/4" x 13 1/4"
Edition of 40
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Lithograph and archival pigment print
22 1/4" x 13 1/4"
Edition of 42
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Lithograph and archival pigment print
18 7/8" x 13 1/4"
Edition of 36
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Stoneware with under and overglazes
23" x 6 1/2" x 6 1/2"
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